Museological Unconscious
Communal (Post)Modernism in Russia
(Sprache: Englisch)
In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a communal optic that registers the influence of such characteristically Russian phenomena as communal living, communal...
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Klappentext zu „Museological Unconscious “
In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a communal optic that registers the influence of such characteristically Russian phenomena as communal living, communal perception, and communal speech practices. This way of looking at the subject allows him to gather together a range of artists and art movements as if they were tenants in a large Moscow apartment. Tupitsyn argues that socialist realism does not work without communal perception. Russian artists, critics, and art historians, having lived for decades in a society that ignored or suppressed avant-garde art, have compensated, Tupitsyn claims, by developing a museological unconscious--the museification of the inner world and the collective psyche.
Autoren-Porträt von Victor Tupitsyn, Susan Buck-Morss
Victor Tupitsyn is a critic and theorist living in New York City and Paris. He is on the advisory board of Third Text, London.
Bibliographische Angaben
- Autoren: Victor Tupitsyn , Susan Buck-Morss
- 2012, 352 Seiten, 90 Abbildungen, Maße: 19,9 x 22,2 cm, Kartoniert (TB), Englisch
- Verlag: MIT Press
- ISBN-10: 0262517515
- ISBN-13: 9780262517515
Sprache:
Englisch
Rezension zu „Museological Unconscious “
"This is a big and beautiful book, illuminating and idiosyncratic at once...Tupitsyn's mix of art reviews, political meditations, and personal memories provide a unique and valuable perspective on post-Soviet culture in Russia and the West." Alexander Etkind The Russian Review
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