Oriana Fallaci
The Journalist, the Agitator, the Legend
(Sprache: Englisch)
A landmark biography of the most famous Italian journalist of the twentieth century, an inspiring and often controversial woman who defied the codes of reportage and established the La Fallaci style of interview.
Oriana Fallaci is known for her...
Oriana Fallaci is known for her...
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A landmark biography of the most famous Italian journalist of the twentieth century, an inspiring and often controversial woman who defied the codes of reportage and established the La Fallaci style of interview.Oriana Fallaci is known for her uncompromising vision. To retrace Fallaci s life means to retrace the course of history from World War II to 9/11.
As a child, Fallaci enlisted herself in the Italian Resistance alongside her father. Her hatred of fascism and authoritarian regimes would accompany her throughout her life. Covering the entertainment industry early on in her career, she created an original, abrasive interview style, focusing on her subject s emotions, contradictions, and facial expressions more than their words. When she grew bored of interviewing movie stars and directors, she turned her attention to the greatest international figures of the time: Khomeini, Gaddafi, Indira Gandhi, and Kissinger, placing herself front and center in the story. Reporting from the front lines of the world s greatest conflicts, she provoked her own controversies wherever she was stationed, leaving behind epic collateral damage in her wake.
Thanks to unprecedented access to personal records, Cristina De Stefano brings back to life a remarkable woman whose groundbreaking work and torrid love affairs will not soon be forgotten. Oriana Fallaci allows a new generation to discover her story, and witness the passionate, persistent journalism that we urgently need in these times of upheaval and uncertainty.
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The airplane flies high above an ocean immersed in darkness. Suddenly, the windows are bathed in light. Look, Oriana, it s the aurora borealis, her nephew whispers. She remains silent. Dazed with weakness, she has dozed off. She sits in her reclined seat, draped in a fur coat. It s September 4, 2006, and Oriana is on her way back to Florence. The tumor is in its terminal stage. No commercial flight from New York is willing to take her, so they have resorted to chartering a private plane. For several weeks, she has been surviving on sugar water; she weighs only sixty-six pounds. In truth, she never weighed much more than that: five foot one, ninety-two pounds. She often jokes, When people meet me, they re surprised by how little there is of me. I just spread my arms and say, That s all there is! This trip is her decision. She has lived in New York for almost five decades, but she wants things to end where they began. The cabin light is kept low to protect her failing eyes. Two doctors, both women, accompany her, in case of an emergency. But she barely moves during the whole trip; she sits, folded in on herself, immersed in memories. Florence advances slowly to meet her, bringing with it the past.1 . A Family in Which Nobody Smiles
I don t know anything about how my father and my mother met. The only clue to the mystery of my birth is a phrase my mother used to repeat: It all happened because of a hat full of cherries. Among all the family stories she heard as a child, this was the detail she loved the most: a bright red hat, worn like a beacon. Years later, placed on the head of someone other than her mother, it would supply the title to her posthumous novel, Un cappello pieno dei ciliege (A hat full of cherries). Anything else is speculation. The meeting must have occurred somewhere in Florence on a late summer afternoon in 1928, one of those hot days that drive people outdoors. Edoardo Fallaci, twenty-four, has just a few coins to his
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name. He works as a wood-carver and lives with his parents. He dreams of immigrating to Argentina to seek his fortune. He is not especially tall but has an attractively chiseled face and impertinent blue eyes. Tosca Cantini is twenty-two. After losing her mother when she was young, her anarchist sculptor father sent her off to work for two seamstresses. They have grown fond of her and raised her to be a well-mannered young lady. Eventually, they find her a job with a dowager who wants to take her to Paris as a companion. But on that day, Tosca decides to wear an eye-catching hat decorated with red fruit. It shows off her pretty face and high cheekbones. What pretty cherries, the gallant Edoardo comments. Sometime later, on a ramble on Monte Morello, Oriana is conceived. My mother always said that when she first got pregnant, she didn t want me. She drank Epsom salts every night all the way through the fourth month of her pregnancy, to induce an abortion. But one night, just as she was about to put the glass to her lips, I moved in her belly, almost as if I were saying, I want to be born! And then and there she poured the Epsom salts into a flower vase. And that s why you were born, she used to say. Tosca had other dreams. She wanted to travel the world, to meet artists. She had friends in Florence s bohemian circles, particularly the painter Ott one Rosai, who courted her. She used to say he was a handsome bear of a man, quite the opposite of my father, who was small and lean. When it becomes clear that there is no way around it, Edoardo introduces Tosca to his parents. His mother, Giacoma, known for her unpleasant character, is unwelcoming and takes every opportunity to be unkind. In contrast, his father, Antonio, takes a liking to the girl. Thi
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Autoren-Porträt von Christina De Stefano
Cristina De Stefano is a journalist and writer. She lives and works in Paris as a literary scout for many publishing houses in the world. Her books Belinda e il mostro: Vita segreta di Cristina Campo (Adelphi 2002) and Americane avventurose (Adelphi 2007) have been translated in French, German, Spanish, and Polish.Marina Harss translations include For Solo Violin (Per Vionlino Solo), a war memoir by Aldo Zargani, and stories in The Forbidden Stories of Marta Veneranda, by Sonia Rivera-Vald. Her translations have also appeared in Bomb, Brooklyn Rail, and Autadafe. She is a researcher at The New Yorker, and lives in New York City.
Bibliographische Angaben
- Autor: Christina De Stefano
- 2021, 288 Seiten, Maße: 13,3 x 20,2 cm, Kartoniert (TB), Englisch
- Übersetzer: Mariana Harss
- Verlag: Other Press
- ISBN-10: 1635420539
- ISBN-13: 9781635420531
- Erscheinungsdatum: 03.09.2021
Sprache:
Englisch
Pressezitat
The first authorized biography we have of Fallaci, with access to new personal records, and welcome for that reason [Oriana Fallaci] is never dull. New York Times De Stefano rises to the challenges of describing such a dramatic life an examination of Fallaci s methods that gets so close to her special magic that it ought to be required reading for all reporters. Indeed, anyone who takes time for this compelling biography will experience the tingle of that magic, and with it the continuing power of honest, hands-on journalism. Washington Post
Engrossing. The New Yorker
[Fallaci s] interviews remain studies in speaking truth to power Fallaci was a piquant, stylish beauty, self-consciously photogenic in the Joan Didion way, a midcentury woman writer vigilant about her public image. Fallaci lived a genuinely romantic life, too, with stormy loves and war wounds. But De Stefano, who had access to living friends, family members and colleagues as well as archives and letters, reveals another side to her life. New York Times Book Review
A new biography gets Oriana Fallaci the way people who knew her couldn t a fascinating and utterly sui generis life. Los Angeles Times
[De] Stefano s authoritative examination offers bracing insight into a woman who defied convention Fallaci s era is over but the stories remain as vivid as her adventure-filled life. Boston Herald
Exceptional this biography is a must read. Literary Hub
Brisk, even-handed I suspect that Oriana Fallaci would have enjoyed it. Times Literary Supplement
In this meticulous, perceptive, and dramatic portrait, De Stefano reveals the full intensity and sensitivity of a trailblazing warrior writer. Booklist (starred review)
The great Italian writer gets her due in this short but captivating biography a superb introduction to the life of an irreplaceable figure. Kirkus Reviews
De Stefano peels away the layers of mystery surrounding journalist
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Oriana Fallaci an intimate investigation into a larger-than-life personality. Publishers Weekly
In Cristina De Stefano s Oriana Fallaci, the stories about Italy s most controversial journalist have the power to stun as they race forward, one more astonishing than the next De Stefano handles Fallaci s turbulent personal side with care [and] has a terrific ear for Fallaci s most piquant quotes the spirit of the book: headlong and direct, all the while maintaining an understanding of a reporter s commitment to asking hard questions. Washington Independent Review of Books
The first major work to emerge in English since its subject s death [Oriana Fallaci] offers the most readable and approachable overview of Fallaci s life. Standpoint
De Stefano s work offers a deeply perceptive insight into the fascinating Italian journalist, delivered in a riveting and engaging narrative style that s evocative of Fallaci herself. PopMatters
This is as powerful a life story as you will ever read. Foreword
Cristina De Stefano s new book Oriana Fallaci: The Journalist, the Agitator, the Legend takes a fresh look at the exceptional life and career of Fallaci, while also revealing a softer side of the notoriously hard-headed and private intellectual. Women in the World, New York Times Affiliate
Biographer Cristina de Stefano has written a fine portrait of Fallaci that is indeed, a la Fallaci, in its sharp journalistic style De Stefano takes us inside Fallaci s turbulent personal life and her formidable accomplishments as a skilled and courageous foreign correspondent. It is a potent reminder that real journalists were valued for much more than a sensational scoop or headline, and like Fallaci they put everything on the line at great personal cost for their chosen profession and craft. New York Journal of Books
In her authorized biography, Oriana Fallaci: The Journalist, the Agitator, the Legend Cristina De Stefano reminds readers of Fallaci s journalistic legacy. Wall Street Journal
A terrific book about courage, ambition and old-fashioned Italian chutzpah. These are the qualities that made Oriana Fallaci one of the most celebrated journalists of her time. This is a compelling biography of a pioneer of journalistic fearlessness. Charles Kaiser, author of The Cost of Courage
A gripping account of the controversial Italian journalist s rise from schoolgirl Partisan courier to courageous war reporter, celebrated author and the world s most feared and admired interviewer. Cristina De Stefano brings to life all the public success and private struggles of a woman who battled her way to the top of a world shaped by men, taking on Henry Kissinger, Muammar Gaddafi and Ayatollah Khomeini along the way. Oriana Fallaci is as vivid, bold and endlessly surprising as its subject. Rachel Aspden, author of Generation Revolution
In Cristina De Stefano s Oriana Fallaci, the stories about Italy s most controversial journalist have the power to stun as they race forward, one more astonishing than the next De Stefano handles Fallaci s turbulent personal side with care [and] has a terrific ear for Fallaci s most piquant quotes the spirit of the book: headlong and direct, all the while maintaining an understanding of a reporter s commitment to asking hard questions. Washington Independent Review of Books
The first major work to emerge in English since its subject s death [Oriana Fallaci] offers the most readable and approachable overview of Fallaci s life. Standpoint
De Stefano s work offers a deeply perceptive insight into the fascinating Italian journalist, delivered in a riveting and engaging narrative style that s evocative of Fallaci herself. PopMatters
This is as powerful a life story as you will ever read. Foreword
Cristina De Stefano s new book Oriana Fallaci: The Journalist, the Agitator, the Legend takes a fresh look at the exceptional life and career of Fallaci, while also revealing a softer side of the notoriously hard-headed and private intellectual. Women in the World, New York Times Affiliate
Biographer Cristina de Stefano has written a fine portrait of Fallaci that is indeed, a la Fallaci, in its sharp journalistic style De Stefano takes us inside Fallaci s turbulent personal life and her formidable accomplishments as a skilled and courageous foreign correspondent. It is a potent reminder that real journalists were valued for much more than a sensational scoop or headline, and like Fallaci they put everything on the line at great personal cost for their chosen profession and craft. New York Journal of Books
In her authorized biography, Oriana Fallaci: The Journalist, the Agitator, the Legend Cristina De Stefano reminds readers of Fallaci s journalistic legacy. Wall Street Journal
A terrific book about courage, ambition and old-fashioned Italian chutzpah. These are the qualities that made Oriana Fallaci one of the most celebrated journalists of her time. This is a compelling biography of a pioneer of journalistic fearlessness. Charles Kaiser, author of The Cost of Courage
A gripping account of the controversial Italian journalist s rise from schoolgirl Partisan courier to courageous war reporter, celebrated author and the world s most feared and admired interviewer. Cristina De Stefano brings to life all the public success and private struggles of a woman who battled her way to the top of a world shaped by men, taking on Henry Kissinger, Muammar Gaddafi and Ayatollah Khomeini along the way. Oriana Fallaci is as vivid, bold and endlessly surprising as its subject. Rachel Aspden, author of Generation Revolution
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