Oxford Handbook of the Victorian Novel
(Sprache: Englisch)
The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
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The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
Inhaltsverzeichnis zu „Oxford Handbook of the Victorian Novel “
Lisa Rodensky: Introduction; Beginnings.; Peter Garside: The Early Nineteenth-Century English Novel, 1820-1836; William McKelvy: New Histories of English Literature and the Rise of the Novel, 1835-1859; Rebecca Edwards Newman: Genre, Criticism and the Early Victorian Novel; Publishing, Reading, Reviewing, Quoting, Censoring.; Rachel Sagner Buurma: Publishing the Victorian Novel; Debra Gettelman: The Victorian Novel and Its Readers; Solveig C. Robinson: The Victorian Novel and the Reviews; Lynda Mugglestone: The Victorian Novel and the OED; BarbaraLeckie: The Novel and Censorship in Late-Victorian England; The Victorian Novel Elsewhere.; Marie-Francoise Cachin: Victorian Novels in France; Julie Buckler: Victorian Literature and Russian Culture: Translation, Reception, Influence, Affinity; Amanda Claybaugh: The Victorian Novel and America; Margery Sabin: Colonial India and Victorian Storytelling; Technologies: Communication, Travel, Visual; Richard Menke: The Victorian Novel and Communication Networks; Alison Byerly: Technologies of Travel and the Victorian Novel; Jennifer Green-Lewis: Victorian Photography and the Novel; The Middle.; Janice Carlisle: Novels of the 1860s; Commerce, Work, Professions.; Evan Horwitz: Industrialism and the Victorian Novel; George Levine: The Protestant Ethic and the Spirit of Money: Max Weber, Silas Marner, and the Victorian Novel; Jennifer Ruth: The Novel and the Professions; Kenneth Haynes: Gentleman's Latin, Lady's Greek; The Novel and Other Disciplines.; Jonathan Smith: The Victorian Novel and Science; Meegan Kennedy: The Victorian Novel and Medicine; Suzy Anger: Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case Studies; Jan-Melissa Schramm: The Victorian Novel and the Law; Patrick R. O'Malley: The Novel and Religion: Catholicism and Victorian Women's Novels; Lynn Voskuil: The Victorian Novel and Horticulture; Emily Allen: The Victorian Novel and
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Theater; Poetry and Criticism.; James Najarian: Verse Versus the Novel; Philip Horne: Poetic Allusion and the Novel; Christopher Ricks: The Novelist as Critic; Distinguishing the Victorian Novel.; Julia Prewitt Brown: The Moral Scope of the English Bildungsroman; Mark Lambert: Three Matters of Style; Endings.; Anna Vaninskaya: The Novel, its Critics, and the University: A New Beginning?; Talia Schaffer: The Victorian Novel and the New Woman; The Last Victorian Novel; Rosemarie Bodenheimer: Slapstick Noir: The Secret Agent Works the Victorian Novel; Daniel Hack: The Quest of the Silver Fleece, by W. E. B. Du Bois
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Autoren-Porträt von Lisa Rodensky
Lisa Rodensky, Associate Professor, Wellesley College
Bibliographische Angaben
- Autor: Lisa Rodensky
- 2013, XX, 808 Seiten, Maße: 17,7 x 25,4 cm, Gebunden, Englisch
- Herausgegeben: Lisa Rodensky
- Verlag: Oxford University Press
- ISBN-10: 0199533148
- ISBN-13: 9780199533145
Sprache:
Englisch
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