Point of View in the Cinema
A Theory of Narration and Subjectivity in Classical Film
(Sprache: Englisch)
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized...
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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
Bibliographische Angaben
- Autor: Edward Branigan
- 1984, Reprint 2010., 262 Seiten, 40 Abbildungen, Maße: 23 cm, Leinen, Englisch
- Verlag: De Gruyter
- ISBN-10: 9027930791
- ISBN-13: 9789027930798
Sprache:
Englisch
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