Prisoners of Museum
(Sprache: Englisch)
The museum is a typology long overdue for change. New museums proliferate, with sometimes spectacular innovations in form, but their underlying conceptual structures remain much as they have been for the past two hundred years. They are Faustian...
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The museum is a typology long overdue for change. New museums proliferate, with sometimes spectacular innovations in form, but their underlying conceptual structures remain much as they have been for the past two hundred years. They are Faustian incarnations, young bodies with old and weary souls. In Guy Lafranchi's view, the museum has become a prison, where critical ideas have been locked away from sight, without trial or appeal, by generations of directors, curators and scholars jealousy guarding a canonized version of the evolution of art. As severe a change as this is, it is only part of the story. The greater part, and by far the more serious, is the effect that the museum has on the production of art.(Paragraph out of the introduction by Lebbeus Woods)
Inhaltsverzeichnis zu „Prisoners of Museum “
- Prisoner CNo1P08: Time frequency, Epoch frequency- Prisoner CNo2P18: Measuring culture, Writing a critique of data
- Prisoner CNo3P28: Art student, Homeless person
- Prisoner CNo4P38: Mechanical-Organic
- Prisoner CNo5P48: Momentum of Conflict
- Prisoner CNo6P58: No Collision ... No Space
Autoren-Porträt von Guy Lafranchi, Daniel Egger
Guy, Lafranchi, geb. 1966, studierte Architektur an der ETH Zürich. 1996 gründete er sein eigenes Büro in Bern. Er hält Vorträge an der Barlett School of Architecture in London und am Niederländischen Architektur Institut (NAI) in Rotterdam sowie an der TU Berlin und der TU in Lund, Schweden. Er ist Mitbegründer von RIEA.ch.
Bibliographische Angaben
- Autoren: Guy Lafranchi , Daniel Egger
- 2001, 68 Seiten, mit zahlreichen Schwarz-Weiß-Abbildungen, Maße: 21 cm, Kartoniert (TB), Englisch
- Verlag: Ambra
- ISBN-10: 3211836446
- ISBN-13: 9783211836446
Sprache:
Englisch
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