Shakespeare, 'Othello' and Domestic Tragedy
(Sprache: Englisch)
The first book to explore the ways in which Shakespeare exploits the conventions of the genre of domestic tragedy in Othello.
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Klappentext zu „Shakespeare, 'Othello' and Domestic Tragedy “
The first book to explore the ways in which Shakespeare exploits the conventions of the genre of domestic tragedy in Othello.
Inhaltsverzeichnis zu „Shakespeare, 'Othello' and Domestic Tragedy “
Acknowledgements Introduction: Shakespeare and the Domestic Tragedies 1. Genre Theory and the Rise of Domestic Tragedy 2. A Local Habitation Lends a Name: Thomas Arden's Tragic Stature 3. Othello and Domestic Tragedy: The Critical Reception 4. Othello as Domestic Tragedy: The Case for Inclusion 5. From the Miraculous and Monstrous to the Uncanny Conclusion: Tragic Ontology and Spousal Murders Bibliography Index
Autoren-Porträt von Sean Benson
Sean Benson is Associate Professor of English at the University of Dubuque, USA. He is the author of Shakespearean Resurrection: The Art of Almost Raising the Dead.
Bibliographische Angaben
- Autor: Sean Benson
- 192 Seiten, Maße: 15,6 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: Arden Shakespeare
- ISBN-10: 1472508874
- ISBN-13: 9781472508874
- Erscheinungsdatum: 23.05.2013
Sprache:
Englisch
Rezension zu „Shakespeare, 'Othello' and Domestic Tragedy “
"Sean Benson's Shakespeare, Othello and Domestic Tragedy is a sensitive rereading of a curiously neglected topic in Shakespeare studies.Benson's lucid and convincing investigation makes a series of important arguments about contemporary domestic tragedies and their relation to Othello.In the process, the author sheds fresh light on Othello itself and on the question of textual and generic influence in general." -- Brian W. Shaffer, Associate Dean of Academic Affairs and Professor of English at Rhodes College, USA "Sean Benson's exploration of Othello is the first full-length study of the play in the context of domestic tragedy. It presents an invigorating challenge to established readings, showing how Othello focuses on issues present in other domestic tragedies of the period ... All in all, a critical work which makes you think again about things you took for granted." -- Keverne Smith, former Course Director, BA Humanities, University Centre, College of West Anglia, King's Lynn, UK Benson rightly argues against a conception of a genre as a "static norm" (p. 28) in favor of a view that leaves room for experimentation and change over time. -- Garrett A. Sullivan Jr. Studies in English Literature 1500-1900
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