Summer Crossing
Afterword by Alan U. Schwartz
(Sprache: Englisch)
Witness the coming together of Truman Capote s voice, the electric-into-neon blaze that is surely one of the premier styles of postwar American literature. The Washington Post Book World
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Witness the coming together of Truman Capote s voice, the electric-into-neon blaze that is surely one of the premier styles of postwar American literature. The Washington Post Book World A great breezy read . . . with Capote s trademark wit, but also with genuine youthful awe at the exhilaration of late-forties New York. New York
A lost treasure only recently found, Truman Capote s Summer Crossing is a precocious, confident first novel from one of the twentieth century s greatest writers.
Set in New York just after World War II, the story follows a young carefree socialite, Grady McNeil, whose parents leave her alone in their Fifth Avenue penthouse for the summer. Left to her own devices, Grady turns up the heat on the secret affair she s been having with a Brooklyn-born Jewish war veteran who works as a parking lot attendant. As the season passes, the romance turns more serious and morally ambiguous, and Grady must eventually make a series of decisions that will forever affect her life and the lives of everyone around her.
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Chapter 1You are a mystery, my dear, her mother said, and Grady, gazing across the table through a centerpiece of roses and fern, smiled indulgently: yes, I am a mystery, and it pleased her to think so. But Apple, eight years older, married, far from mysterious, said: Grady is only foolish; I wish I were going with you. Imagine, Mama, this time next week you ll be having breakfast in Paris! George keeps promising that we ll go . . . I don t know, though. She paused and looked at her sister. Grady, why on earth do you want to stay in New York in the dead of summer? Grady wished they would leave her alone; still this harping, and here now was the very morning the boat sailed: what was there to say beyond what she d said? After that there was only the truth, and the truth she did not entirely intend to tell. I ve never spent a summer here, she said, escaping their eyes and looking out the window: the dazzle of traffic heightened the June morning quiet of Central Park, and the sun, full of first summer, that dries the green crust of spring, plunged through the trees fronting the Plaza, where they were breakfasting. I m perverse; have it your own way. She realized with a smile it was perhaps a mistake to have said that: her family did come rather near thinking her perverse; and once when she was fourteen she d had a terrible and quite acute insight: her mother, she saw, loved her without really liking her; she had thought at first that this was because her mother considered her plainer, more obstinate, less playful than Apple, but later, when it was apparent, and painfully so to Apple, that Grady was finer looking by far, then she gave up reasoning about her mother s viewpoint: the answer of course, and at last she saw this too, was simply that in an inactive sort of way, she d never, not even as a very small girl, much liked her mother. Yet there was little flamboyancy in either attitude; indeed, the house of their hostility was modestly furnished with affection,
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which Mrs. McNeil now expressed by closing her daughter s hand in her own and saying: We will worry about you, darling. We can t help that. I don t know. I don t know. I m not sure it s safe. Seventeen isn t very old, and you ve never been really alone before.
Mr. McNeil, who whenever he spoke sounded as though he was bidding in a poker game, but who seldom spoke in any event, partly because his wife did not like to be interrupted and partly because he was a very tired man, dunked out a cigar in his coffee cup, causing both Apple and Mrs. McNeil to wince, and said: When I was eighteen, why hell, I d been out in California three years.
But after all, Lamont . . . you re a man.
What s the difference? he grunted. There has been no difference between men and women for some while. You say so yourself.
As though the conversation had taken an unpleasant turn, Mrs. McNeil cleared her throat. It remains, Lamont, that I am very uneasy in leaving
Rising inside Grady was an ungovernable laughter, a joyous agitation which made the white summer stretching before her seem like an unrolling canvas on which she might draw those first rude pure strokes that are free. Then, too, and with a straight face, she was laughing because there was so little they suspected, nothing. The light quivering against the table silver seemed to at once encourage her excitement and to flash a warning signal: careful, dear. But elsewhere something said Grady, be proud, you are tall so fly your pennant high above and in the wind. What could have spoken, the rose? Roses spea
Mr. McNeil, who whenever he spoke sounded as though he was bidding in a poker game, but who seldom spoke in any event, partly because his wife did not like to be interrupted and partly because he was a very tired man, dunked out a cigar in his coffee cup, causing both Apple and Mrs. McNeil to wince, and said: When I was eighteen, why hell, I d been out in California three years.
But after all, Lamont . . . you re a man.
What s the difference? he grunted. There has been no difference between men and women for some while. You say so yourself.
As though the conversation had taken an unpleasant turn, Mrs. McNeil cleared her throat. It remains, Lamont, that I am very uneasy in leaving
Rising inside Grady was an ungovernable laughter, a joyous agitation which made the white summer stretching before her seem like an unrolling canvas on which she might draw those first rude pure strokes that are free. Then, too, and with a straight face, she was laughing because there was so little they suspected, nothing. The light quivering against the table silver seemed to at once encourage her excitement and to flash a warning signal: careful, dear. But elsewhere something said Grady, be proud, you are tall so fly your pennant high above and in the wind. What could have spoken, the rose? Roses spea
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Autoren-Porträt von Truman Capote
Truman Capote was a native of New Orleans, where he was born on September 30, 1924. His first novel, Other Voices, Other Rooms, was an international literary success when first published in 1948, and accorded the author a prominent place among the writers of America's postwar generation. He sustained this position subsequently with short-story collections (A Tree of Night, among others), novels and novellas (The Grass Harp and Breakfast at Tiffany's), some of the best travel writing of our time (Local Color), profiles and reportage that appeared originally in The New Yorker (The Duke in His Domain and The Muses Are Heard), a true-crime masterpiece (In Cold Blood), several short memiors about his childhood in the South (A Christmas Memory, The Thanksgiving Visitor, and One Christmas), two plays (The Grass Harp and House of Flowers and two films (Beat the devil and The Innocents).Mr. Capote twice won the O.Henry Memorial Short Story Prize and was a member of the National Institute of Arts and Letters. He died in August 1984, shortly before his sixtieth birthday.
Bibliographische Angaben
- Autor: Truman Capote
- 2006, 160 Seiten, Maße: 12,4 x 20 cm, Kartoniert (TB), Englisch
- Verlag: Random House UK
- ISBN-10: 0812975936
- ISBN-13: 9780812975932
Sprache:
Englisch
Pressezitat
"Truman Capote is the most perfect writer of my generation."-Norman Mailer
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