The Cambridge Companion to Ovid

List of illustrations; List of contributors; Preface; Introduction Philip Hardie; Part I. Contexts and History: 1. Ovid and ancient literary history Richard Tarrant; 2. Ovid and early imperial literature Philip Hardie; 3. Ovid and empire Thomas Habinek; 4. Ovid and the professional discourses of scholarship, religion, rhetoric Alessandro Schiesaro; Part II. Themes and Works: 5. Ovid and genre: evolutions of an elegist Stephen Harrison; 6. Gender and sexuality Alison Sharrock; 7. Myth in Ovid Fritz Graf; 8. Landscape with figures: aesthetics of place in the Metamorphoses and its tradition Stephen Hinds; 9. Ovid and the discourses of love: the amatory works Alison Sharrock; 10. Metamorphosis in the Metamorphoses Andrew Feldherr; 11. Narrative technique and narratology in the Metamorphoses Alessandro Barchiesi; 12. Mandati memores: political and poetic authority in the Fasti Carole Newlands; 13. Epistolarity: the Heroides Duncan F. Kennedy; 14. Ovid's exile poetry: Tristia, Epistulae ex Ponto and Ibis Gareth Williams; Part III. Reception: 15. Ovid in English translation Raphael Lyne; 16. Ovid in the Middle Ages: authority and poetry Jeremy Dimmick; 17. Love and exile after Ovid Raphael Lyne; 18. Re-embodying Ovid: Renaissance afterlives Colin Burrow; 19. Recent receptions of Ovid Duncan F. Kennedy; 20. Ovid and art Christopher Allen; Dateline; Works cited; Index.

'The duties of an informative companion attending readers of Ovid are admirably fulfilled in H's volume by the essays that discuss broader themes ...' Journal of Roman Studies '... [the] Companion succeeds admirably by surveying the entire range of Ovid criticism at the level of theme, genre, narratology, key aspects of cultural studies, and reception ... The result is a collection that both beginners and old hands will find informative and stimulating, and I can recommend it with enthusiasm to readers of both kinds.' Bryn Mawr Classical Review 'The Cambridge Companion to Ovid succeeds from the point of view both of editorial design and of the quality of the individual contributions. The result is a collection that both beginners and old hands will find informative and stimulating, and I can recommend it with enthusiasm to readers of both kinds.' BMCR