The Clothes on Their Backs

Linda Grant is author of four non-fiction books and eight novels. A Fellow of the Royal Society of Literature, she won the Orange Prize for Fiction in 2000, the Lettre Ulysses Prize for Literary Reportage in 2006 and holds honorary doctorates from the University of York and Liverpool John Moores University. The Clothes on Their Backs was shortlisted for the Man Booker Prize in 2008 and went on to win the South Bank Show Award; The Dark Circle was shortlisted for the 2017 Women's Prize for Fiction; A Stranger City won the 2000 Wingate Literary Prize. Linda Grant lives in London.

** 'If you read only one novel this year, make sure it is The Clothes on Their Backs' SUNDAY EXPRESS ** 'A beautifully written and truly moving book about the experience of growing up in Britain as a second generation immigrant' EXPRESS ** 'It's a sublimely atmospheric and moving novel' LONDON PAPER ** 'This is a vivid, enjoyable and consistently unexpected novel' THE DAILY TELEGRAPH ** 'This is a terrific novel, bursting with life and vivid characters' MAIL ON SUNDAY ** 'Stitched beautifully into the fabric of her latest novel is an acute understanding of the role clothes play in reflecting identity and self-worth. Read on one level her story is accessible, her characters neatly sketched. On a deeper level this is a coming-of-age story not only about insecure girls like Vivien, but about Britain in the 1970s, insecure about its evolving racial mix. She is at home writing about the thrilling ripple of silk as she is charting social tensions. So: Prada or Primark? Rather enticingly, Grant provides the best of both SUNDAY TELEGRAPH ** 'This is a vivid, enjoyable and consistently unexpected novel' THE DAILY TELEGRAPH ** 'Her heroine, Vivien Kovaks, slightly resembles a rawer, angrier version of one of Anita Brookner's dutiful daughters ... such is the richness of Grant's plotting that the story encapsulates many untold narratives' THE TIMES ** 'THE CLOTHES ON THEIR BACKS is a return to the form of Grant's first and best novel, The Cast Iron Shore. Gripping and written with keen understatement, it manages to be a domestic coming-of-age novel... It is, in other words, that rare thing, a novel of big ideas that never forgets to tell a story' Rachel Cooke, EVENING STANDARD ** 'A meticulously textured and complex novel' Penny Perrick, SUNDAY TIMES ** So artfully construced that you barely feel you're reading at all, so fluid and addictive is the plot. But like all the best boks, the serious ideas it raises stay with you for a long time afterwards ... This is a wonderful,