The Death of Jesus
A Novel
(Sprache: Englisch)
A NEW YORK TIMES NOTABLE BOOK OF 2020
After The Childhood of Jesus and The Schooldays of Jesus, the Nobel Prize-winning author completes his haunting trilogy with a new masterwork, The Death of Jesus
In Estrella, David has...
After The Childhood of Jesus and The Schooldays of Jesus, the Nobel Prize-winning author completes his haunting trilogy with a new masterwork, The Death of Jesus
In Estrella, David has...
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A NEW YORK TIMES NOTABLE BOOK OF 2020After The Childhood of Jesus and The Schooldays of Jesus, the Nobel Prize-winning author completes his haunting trilogy with a new masterwork, The Death of Jesus
In Estrella, David has grown to be a tall ten-year-old who is a natural at soccer, and loves kicking a ball around with his friends. His father Simón and Bolívar the dog usually watch while his mother Inés now works in a fashion boutique. David still asks many questions, challenging his parents, and any authority figure in his life. In dancing class at the Academy of Music he dances as he chooses. He refuses to do sums and will not read any books except Don Quixote.
One day Julio Fabricante, the director of a nearby orphanage, invites David and his friends to form a proper soccer team. David decides he will leave Simón and Inés to live with Julio, but before long he succumbs to a mysterious illness. In The Death of Jesus, J. M. Coetzee continues to explore the meaning of a world empty of memory but brimming with questions.
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Chapter 01It is a crisp autumn afternoon. On the grassy expanse behind the apartment block he stands watching a game of football. Usually he is the sole spectator of these games played between children from the block. But today two strangers have stopped to watch too: a man in a dark suit with, by his side, a girl in school uniform.
The ball loops out to the left wing, where David is playing. Trapping the ball, David easily outsprints the defender who comes out to engage him and lofts the ball into the centre. It escapes everyone, escapes the goalkeeper, crosses the goal line.
In these weekday games there are no proper teams. The boys divide up as they see fit, drop in, drop out. Sometimes there are thirty on the field, sometimes only half a dozen. When David first joined in, three years ago, he was the youngest and smallest. Now he is among the bigger boys, but nimble despite his height, quick on his feet, a deceptive runner.
There is a lull in the game. The two strangers approach; the dog slumbering at his feet rouses himself and raises his head.
Good day, says the man. What teams are these?
It is just a pick-up game between children from the neighbourhood.
They are not bad, says the stranger. Are you a parent?
Is he a parent? Is it worth trying to explain what exactly he is? That is my son over there, he says. David. The tall boy with the dark hair.
The stranger inspects David, the tall boy with the dark hair, who is strolling about abstractedly, not paying much attention to the game.
Have they thought of organizing themselves into a team? says the stranger. Let me introduce myself. My name is Julio Fabricante. This is Maria Prudencia. We are from Las Manos. Do you know Las Manos? No? It is the orphanage on the far side of the river.
Simón, says he, Simón. He shakes hands with Julio Fabricante from the orphanage, gives
... mehr
Maria Prudencia a nod. Maria is, he would guess, fourteen years old, solidly built, with heavy eyebrows and a well developed bust.
I ask because we would be happy to host them. We have a proper field with proper markings and proper goalposts.
I think they are content just kicking a ball around.
You do not improve without competition, says Julio.
Agreed. On the other hand, forming a team would mean selecting eleven and excluding the rest, which would contradict the ethos they have built up. That is how I see it. But maybe I am wrong. Maybe they would indeed like to compete and improve. Ask them.
David has the ball at his feet. He feints left and goes right, making the move so fluidly that the defender is left stranded. He passes the ball to a teammate and watches as the teammate lobs the ball tamely into the goalkeeper s arms.
He is very good, your son, says Julio. A natural.
He has an advantage over his friends. He takes dancing lessons, so he has good balance. If the other boys took dancing lessons they would be just as good.
You hear that, Maria? says Julio. Maybe you should follow David s lead and take dancing lessons.
Maria stares fixedly ahead.
Maria Prudencia plays football, says Julio. She is one of the stalwarts of our team.
The sun is going down. Soon the boy who owns the ball will reclaim it ( I ve got to go ) and the players will drift off home.
I know you are not their coach, says Julio. I
I ask because we would be happy to host them. We have a proper field with proper markings and proper goalposts.
I think they are content just kicking a ball around.
You do not improve without competition, says Julio.
Agreed. On the other hand, forming a team would mean selecting eleven and excluding the rest, which would contradict the ethos they have built up. That is how I see it. But maybe I am wrong. Maybe they would indeed like to compete and improve. Ask them.
David has the ball at his feet. He feints left and goes right, making the move so fluidly that the defender is left stranded. He passes the ball to a teammate and watches as the teammate lobs the ball tamely into the goalkeeper s arms.
He is very good, your son, says Julio. A natural.
He has an advantage over his friends. He takes dancing lessons, so he has good balance. If the other boys took dancing lessons they would be just as good.
You hear that, Maria? says Julio. Maybe you should follow David s lead and take dancing lessons.
Maria stares fixedly ahead.
Maria Prudencia plays football, says Julio. She is one of the stalwarts of our team.
The sun is going down. Soon the boy who owns the ball will reclaim it ( I ve got to go ) and the players will drift off home.
I know you are not their coach, says Julio. I
... weniger
Autoren-Porträt von J. M. Coetzee
Born in Cape Town, South Africa, on February 9, 1940, J. M. Coetzee studied first at Cape Town and later at the University of Texas at Austin, where he earned a PhD degree in literature. In 1972, he returned to South Africa and joined the faculty of the University of Cape Town. His works of fiction include Dusklands; Waiting for the Barbarians, which won South Africa s highest literary honor, the Central News Agency Literary Award; and the Life and Times of Michael K., for which Coetzee was awarded his first Booker Prize in 1983. He has also published a memoir, Boyhood: Scenes From a Provincial Life, and several essay collections. He has won many other literary prizes, including the Lannan Award for Fiction, the Jerusalem Prize, and the Irish Times International Fiction Prize. In 1999, he again won Britain s prestigious Booker Prize for Disgrace, becoming the first author to win the award twice in its 31-year history. In 2003, Coetzee was awarded the Nobel Prize in Literature.
Bibliographische Angaben
- Autor: J. M. Coetzee
- 2021, 208 Seiten, Maße: 12,7 x 19,5 cm, Kartoniert (TB), Englisch
- Verlag: PENGUIN BOOKS
- ISBN-10: 1984880926
- ISBN-13: 9781984880925
- Erscheinungsdatum: 17.07.2021
Sprache:
Englisch
Pressezitat
Praise for The Death of Jesus:[The Death of Jesus] not only impresses and confounds, but also moves to tears . . . [T]he Jesus trilogy returns us to what we could call 'major phase' Coetzee to the titanic novels of Disgrace, Waiting for the Barbarians, and Life and Times of Michael K, with their expansive brevity, ethical richness, and enduring literary currency and adds the insight of age . . . Coetzee is still possibly our greatest writer, and . . . with the masterpiece that is The Death of Jesus, he reminds us why. The Los Angeles Review of Books
You could call [Coetzee] a novelist of ideas, but also a philosopher working in fiction. Many of Coetzee s recent novels have the stripped-down quality of philosophical fable. His prose . . . [is] disorienting, then hypnotic. When Coetzee withholds back story, the reader must learn to tolerate mystery. The New York Times Book Review
[The Death of Jesus] brings to a close one of the most fascinating experiments in recent fiction, and one of the most misunderstood . . . Like other great artists in the late stages of their careers, Coetzee has grown less didactic and masterful, more interested in asking questions than answering them. Those questions are some of the biggest and oldest ones we have, about holiness and justice and parenthood and life after death, but that doesn t mean they have to be posed solemnly. Adam Kirsch, Tablet
Coetzee is working within a more spiritual dimension, concerned less with temporal matters than the judgment we might levy on our lives. In Coetzee s moral matrix, desire is of a piece with our fallen nature, equal parts good and evil. It is the source from which so many of our instincts spring: to have and to hold; to love and to cherish; to wound, to dominate, to destroy . . . Desire is the proof that we are alive; that we are, in both the best and worst senses of the word, human.
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The New Republic
What the reader will remember will be the pleasures available to anyone: the deadpan humor, the swoons of their melodramatic thriller plots, and the beguiling weirdness of the world Coetzee has constructed. Harper s Magazine
[A] thoughtful, clear-eyed final installment . . . Like in previous volumes, Coetzee s simple, clean prose is guided by philosophical questions, and Simón s humanistic reflections provide a thrilling contrast to David s bumpy journey of faith and acceptance of his mortality. This is an ambitious and satisfying conclusion. Publishers Weekly
Anything J.M. Coetzee writes deserves our full attention . . . The Death of Jesus is full of truth, irreducible, tearfully moving to read. Evening Standard
Concludes the trilogy with force and heart . . . if The Death of Jesus strikes you in the right place,then you will read its cool, dry final sentences as I did with tears in your eyes. The Times (London)
The Death of Jesus is a necessary read, casting a strange new light on one of the world's greatest and most elusive novelists. Financial Times
Any new novel from Coetzee commands respect, and the final part of the trilogy is no exception . . . The Death of Jesus constantly challenges what we believe and why. The Mail on Sunday (UK)
The Death of Jesus is fiction of an order that dazzles the mind and leaves the heart questing and reaching out for the power and profundity of what is at some remote level a restatement, even if it is a bewildering one, of what we traditionally think of as the greatest story ever told. The Sydney Morning Herald
Beautiful and strange: a sort of symbolist poem in prose . . . contains truths unsullied by the passage of time. The Weekend Australian
Though a veritable house of interpretative mirrors, as many of Coetzee's novels are, this one points readers to a less cerebral, more visceral intimacy with the losses it contemplates. Booklist (starred review)
Praise for The Schooldays of Jesus:
Rich, dense, often amusing, and above all, full of inner tension and suspense. The New York Times Book Review
There s no denying the haunting quality of Coetzee s measured prose, his ability to suspend ordinary events in a world just a few degrees away from our own. The Washington Post
Praise for The Childhood of Jesus:
[The Childhood of Jesus] plunges us at once into a mysterious and dreamlike terrain .A Kafka-inspired parable of the quest for meaning itself. Joyce Carol Oates, The New York Times Book Review (front page)
[A book] of profound and painful humanity, preoccupied with some of the most essential questions about what it means to be a parent and what happens when noble principles are confronted with the grubby details of everyday life. Patrick Flanery, The Washington Post
What the reader will remember will be the pleasures available to anyone: the deadpan humor, the swoons of their melodramatic thriller plots, and the beguiling weirdness of the world Coetzee has constructed. Harper s Magazine
[A] thoughtful, clear-eyed final installment . . . Like in previous volumes, Coetzee s simple, clean prose is guided by philosophical questions, and Simón s humanistic reflections provide a thrilling contrast to David s bumpy journey of faith and acceptance of his mortality. This is an ambitious and satisfying conclusion. Publishers Weekly
Anything J.M. Coetzee writes deserves our full attention . . . The Death of Jesus is full of truth, irreducible, tearfully moving to read. Evening Standard
Concludes the trilogy with force and heart . . . if The Death of Jesus strikes you in the right place,then you will read its cool, dry final sentences as I did with tears in your eyes. The Times (London)
The Death of Jesus is a necessary read, casting a strange new light on one of the world's greatest and most elusive novelists. Financial Times
Any new novel from Coetzee commands respect, and the final part of the trilogy is no exception . . . The Death of Jesus constantly challenges what we believe and why. The Mail on Sunday (UK)
The Death of Jesus is fiction of an order that dazzles the mind and leaves the heart questing and reaching out for the power and profundity of what is at some remote level a restatement, even if it is a bewildering one, of what we traditionally think of as the greatest story ever told. The Sydney Morning Herald
Beautiful and strange: a sort of symbolist poem in prose . . . contains truths unsullied by the passage of time. The Weekend Australian
Though a veritable house of interpretative mirrors, as many of Coetzee's novels are, this one points readers to a less cerebral, more visceral intimacy with the losses it contemplates. Booklist (starred review)
Praise for The Schooldays of Jesus:
Rich, dense, often amusing, and above all, full of inner tension and suspense. The New York Times Book Review
There s no denying the haunting quality of Coetzee s measured prose, his ability to suspend ordinary events in a world just a few degrees away from our own. The Washington Post
Praise for The Childhood of Jesus:
[The Childhood of Jesus] plunges us at once into a mysterious and dreamlike terrain .A Kafka-inspired parable of the quest for meaning itself. Joyce Carol Oates, The New York Times Book Review (front page)
[A book] of profound and painful humanity, preoccupied with some of the most essential questions about what it means to be a parent and what happens when noble principles are confronted with the grubby details of everyday life. Patrick Flanery, The Washington Post
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