The Great Migrator
Robert Rauschenberg and the Global Rise of American Art
(Sprache: Englisch)
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in...
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In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.
Autoren-Porträt von Hiroko Ikegami
Hiroko Ikegami, an art historian who specializes in American art and the postwar globalization of the art world, is Associate Professor in the Graduate School of Intercultural Studies at Kobe University.
Bibliographische Angaben
- Autor: Hiroko Ikegami
- 2014, 296 Seiten, 82 Abbildungen, Maße: 18,2 x 22,3 cm, Kartoniert (TB), Englisch
- Verlag: MIT Press
- ISBN-10: 0262526115
- ISBN-13: 9780262526111
- Erscheinungsdatum: 14.03.2014
Sprache:
Englisch
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