The Maze at Windermere
A Novel
(Sprache: Englisch)
Named one of the best books of 2018 by The Washington Post, The Seattle Times, and The Advocate
Staggeringly brilliant . . . You ll start The Maze of Windermere with bewilderment, but you ll close it in awe. The Washington Post
...
Staggeringly brilliant . . . You ll start The Maze of Windermere with bewilderment, but you ll close it in awe. The Washington Post
...
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Named one of the best books of 2018 by The Washington Post, The Seattle Times, and The AdvocateStaggeringly brilliant . . . You ll start The Maze of Windermere with bewilderment, but you ll close it in awe. The Washington Post
Pitch perfect. New York Times Book Review
When a drunken party guest challenges him to a late-night tennis match, Sandy Allison finds himself unexpectedly entangled in the monied world of Newport, Rhode Island. A former touring pro a little down on his luck, Sandy has nothing to stake against the vintage motorcycle his opponent wagers. But then Alice DuPont the young heiress to a Newport mansion called Windermere offers up her diamond necklace.
With this reckless wager begins a dazzling narrative odyssey that braids together four centuries of aspiration and adversity in this renowned seaside society capital. A witty and urbane bachelor of the Gilded Age embarks on a high-risk scheme to marry into a fortune; a young Henry James, soon to make his mark on the world, turns himself to his craft with harrowing social consequences; an aristocratic British officer during the American Revolution carries on a courtship that leads to murder; and, in Newport s earliest days, a tragically orphaned Quaker girl imagines a way forward for herself and the slave girl she has inherited.
Gregory Blake Smith weaves these intersecting worlds into a rich, brilliant tapestry. A deftly layered novel of love, ambition, and duplicity, The Maze at Windermere charts a voyage across the ages into the maze of the human heart.
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¥ Summer 2011 ¥He was trying to explain to her how he'd gotten to be where he was. The condition he was in. His state of mind, the state of his bank account. His heart, his soul, whatever. They were in the Orangery at Windermere, Aisha newly naked beside him, the salt air coming in through the window, and this was the sort of moment when he somehow felt compelled to tell all.
What had gotten under his skin, he found himself saying, was the way the guy kept bringing up the Tennis Life article. "Lacks the killer instinct to break into the top fifty," he kept saying, drunk, obnoxious, smiling that smile that men smile to show they're just kidding even when they're not just kidding. Who was this bozo anyway?
At which Aisha leaned over and kissed him like "poor you," her dreadlocks spilling across her lovely shoulders.
This had been last August, he told her, a real low point in his life. His knee was shot and he'd just retired . . . or was on the verge of retiring . . . or wasn't sure whether he was retiring or not-but his right knee was messed up, his life was messed up, his ranking had dropped below two hundred for the first time in eight years, and the only options were to drift back down into the Challengers circuit, or pack it in and try to land a college coaching job, or failing that a gig at some luxury resort instructing Fortune 500 types on how to hit a slice backhand.
"Sandy Alison," he imitated the guy, the bozo, the guy with the motorcycle last August. "Out of Duke, a great shotmaker but lacks the killer instinct to break into the top fifty."
Thing was, that past August was the second year running he hadn't qualified for the US Open. It had been the beginning of the end. And even if he had qualified, he wouldn't have been able to play his knee again so he'd come to Newport to the Hall of Fame Champions Cup as a hitting partner for Todd Martin. (A tagalong, a hanger-on: was that his future?) His money was beginning to run out and he
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knew he had to make a decision, and soon, but in Newport a little of the old life beckoned, and after the semifinals he'd gone to the Champions Ball with the idea of catching on with some of the local wealth (this was Newport, he didn't have to remind Aisha), but the evening had degenerated from the waltz to the bossa nova to the Watusi until the surviving couple dozen partiers the Champions had left a long time ago had gone off barhopping down along Thames Street and ended up at this . . . this . . . he couldn't even remember where they'd ended up but the bozo, the guy with the antique motorcycle, just wouldn't let up.
What he didn't tell her was how that phrase "lacks the killer instinct" had eaten at him for nearly a decade. It came from a year-end issue of Tennis Life, a Future-of-American-Tennis sort of thing about the new crop of guys making the transition to the pro tour. This was back in 2002 and he had just made it, as a freshman no less, to the NCAA Semifinals, and some of the things they had to say were cool. They called him "the Southern Gentleman," said he had an artistry on the court, was well liked in the players' lounge. But that last summing up had seemed to doom him to the hinterland of Almost But Not Quite, which, if he was completely honest, was exactly where he'd spent the decade of his pro career. He had in fact cracked the top fifty (Sandy Alison, 2006, #47 in the world, you can look it up), had made it once to the third round of Wimbledon, twice to the second round of the US Open, had a dozen Challengers titles to his name, the courts back at his Charleston high school name
What he didn't tell her was how that phrase "lacks the killer instinct" had eaten at him for nearly a decade. It came from a year-end issue of Tennis Life, a Future-of-American-Tennis sort of thing about the new crop of guys making the transition to the pro tour. This was back in 2002 and he had just made it, as a freshman no less, to the NCAA Semifinals, and some of the things they had to say were cool. They called him "the Southern Gentleman," said he had an artistry on the court, was well liked in the players' lounge. But that last summing up had seemed to doom him to the hinterland of Almost But Not Quite, which, if he was completely honest, was exactly where he'd spent the decade of his pro career. He had in fact cracked the top fifty (Sandy Alison, 2006, #47 in the world, you can look it up), had made it once to the third round of Wimbledon, twice to the second round of the US Open, had a dozen Challengers titles to his name, the courts back at his Charleston high school name
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Autoren-Porträt von Gregory Blake Smith
Gregory Blake Smith is the award-winning author of three previous novels, including The Divine Comedy of John Venner, a New York Times Notable Book. His short story collection, The Law of Miracles, won the Juniper Prize and the Minnesota Book Award. He has received a Stegner Fellowship at Stanford University and the George Bennett Fellowship at Phillips Exeter Academy and grants from the National Endowment for the Arts, the Bush Foundation, and the Minnesota State Arts Board. Smith is currently the Lloyd P. Johnson-Norwest Professor of English and the Liberal Arts at Carleton College.
Bibliographische Angaben
- Autor: Gregory Blake Smith
- 2019, 368 Seiten, Maße: 14,2 x 20,8 cm, Kartoniert (TB), Englisch
- Verlag: PENGUIN BOOKS
- ISBN-10: 0735221936
- ISBN-13: 9780735221932
- Erscheinungsdatum: 11.01.2019
Sprache:
Englisch
Pressezitat
A New York Times Book Review Editors' ChoiceA Washington Post Book We're Talking About This Summer
A Southern Living Book That We Can't Wait to Read
A LitHub Ultimate Summer Book
A Washington Book Review Best Novel to Read This Winter
A BookRiot Book You Should Mark Down Now
Winner of the 2019 New England Society Book Award in Fiction
An intricate creation you'll happily lose yourself in.
People
Staggeringly brilliant . . . An extraordinary demonstration of narrative dexterity. Moving up and down through the strata of history, Smith captures the ever-changing refractions of human desire . . . The cumulative effect of this carousel of differing voices is absolutely transporting . . . Looking up from this remarkable novel, one has an eerie sense of history as a process of continuous erasure and revision. You ll start The Maze of Windermere with bewilderment, but you ll close it in awe.
The Washington Post
Smith sprinkles James s distinctively fresh early style with just the lightest pinch of turgid fussiness the language is pitch-perfect and his insights into James s character and mind are flawless.
New York Times Book Review
Once you read Gregory Blake Smith s The Maze at Windermere, you ll understand why Richard Russo calls it a dazzling high-wire act. It s a labyrinthine, layered novel that spans three centuries while following the exploits and experiences of a compelling cast of characters.
Southern Living
The best of the year . . . [The Maze at Windermere] is historical fiction unlike any I ve read. . . . Each narrative voice Smith invents is pitch-perfect, and the book offers huge formal pleasures as he peels back successions of communities like archaeological layers, connecting them in ways their inhabitants don t necessarily register.
The Seattle Times
Smith s vibrant mix of beautiful writing,
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clarity of voices, flow of history and storytelling, and philosophical reflections had me slowing my pace to stretch out its pleasures.
Star Tribune
A modern-day epic spanning three centuries and five time periods. It weaves together multiple storylines set in the past and present, handing off each story from one era to the next. . . . The Maze features gay characters, freed and enslaved African-Americans, a Jewish-Portuguese immigrant, and a diversity of others mingling together to produce this dazzling novel.
The Advocate
It is timely, it is important, it made me cry and sit very still when I finished it, and it is among the best American novels I ve ever read.
Lit Hub
The Maze at Windermere is a dramatic and interesting look into the past of a town and the lives of those who ve dwelled in it.
New York Journal of Books
Dazzling . . . an impressive achievement.
The Emerald City Book Review
A breath of fresh air . . . Windermere succeeds in delivering a full-bodied portrait of the evolution of our very definition of status and what it really means to make it in the New World.
BookBrowse
This novel is, in a word, excellent. . . . Beautifully drawn . . . Gossamer filaments connect these plotlines; duplicity in all its dismaying forms is a major theme, along with the brilliant contrast between substance and shadow, superficiality and depth. There are moments of wry humor, suspense, gut-wrenching human exchange. And through it all, an honesty capturing life as people live it that is made to appear easy, but is very, very difficult to actually achieve in fiction.
Historical Novel Society
It is just so vibrant, so fun, so mesmerizing.
Bill's Books on NBC New York
Gregory Blake Smith s The Maze at Windermere is a dazzling high-wire act. I turned every page with a sense of wonder and excitement.
Richard Russo, Pulitzer Prize winning author of Empire Falls and Everybody's Fool
The Maze at Windermere is thrilling. This novel restored my faith and made me laugh out loud. It s rare that a novel comes along that is broad ranging, so very funny, profound, provocative, literary, and page-turning, and also word perfect. I went right back to the beginning when I d finished, marveling again at the radiant mind of Gregory Blake Smith.
Jane Hamilton, author of A Map of the World and The Excellent Lombards
Not since Beautiful Ruins have I read a novel with such breadth of imagination or depth of heart, nor a cast of characters so real, so varied, so compelling. In five exquisitely braided tales spanning nearly four centuries, Gregory Blake Smith illuminates the everlasting power of our passions and the hazard of our follies in essence, the many ways we mortals strive and yearn toward the center of the maze we each call life. This book is a tour de force: gorgeous, suspenseful, cunning, and wise.
Julia Glass, author of Three Junes
The Maze at Windermere is an astonishing book prismatic, continually surprising, daring not only in structure but in its investigation of the human heart. Somehow it manages to be both ruthless and tender. On top of all that, it s wildly, hurtlingly entertaining.
Leah Hager Cohen, author of The Grief of Others
Compelling . . . The changing language, landscape, and mores of three centuries of American history are depicted with verisimilitude, highlighting what doesn't change at all: the aspirations and crimes of the human heart.
Kirkus Reviews
Intricately designed and suspenseful . . . Though references to James work, particularly The Portrait of a Lady, abound, readers don t have to be familiar with his novels to relish the well-differentiated voices and worlds or to enjoy the way the novel s five story lines subtly shift and begin to merge.
Booklist (starred review)
Taken individually, each story is dramatic and captivating, but as the author makes ever-increasing connections among the stories and shuffles them all into one unbroken narrative, the novel becomes a moving meditation on love, race, class, and self-fulfillment in America across the centuries.
Publishers Weekly (starred review)
Compelling . . . Award-winning novelist Smith moves nimbly among his tales various settings and diverse characters within the confines of Newport. . . . [An] intricate tale.
Library Journal (starred review)
Star Tribune
A modern-day epic spanning three centuries and five time periods. It weaves together multiple storylines set in the past and present, handing off each story from one era to the next. . . . The Maze features gay characters, freed and enslaved African-Americans, a Jewish-Portuguese immigrant, and a diversity of others mingling together to produce this dazzling novel.
The Advocate
It is timely, it is important, it made me cry and sit very still when I finished it, and it is among the best American novels I ve ever read.
Lit Hub
The Maze at Windermere is a dramatic and interesting look into the past of a town and the lives of those who ve dwelled in it.
New York Journal of Books
Dazzling . . . an impressive achievement.
The Emerald City Book Review
A breath of fresh air . . . Windermere succeeds in delivering a full-bodied portrait of the evolution of our very definition of status and what it really means to make it in the New World.
BookBrowse
This novel is, in a word, excellent. . . . Beautifully drawn . . . Gossamer filaments connect these plotlines; duplicity in all its dismaying forms is a major theme, along with the brilliant contrast between substance and shadow, superficiality and depth. There are moments of wry humor, suspense, gut-wrenching human exchange. And through it all, an honesty capturing life as people live it that is made to appear easy, but is very, very difficult to actually achieve in fiction.
Historical Novel Society
It is just so vibrant, so fun, so mesmerizing.
Bill's Books on NBC New York
Gregory Blake Smith s The Maze at Windermere is a dazzling high-wire act. I turned every page with a sense of wonder and excitement.
Richard Russo, Pulitzer Prize winning author of Empire Falls and Everybody's Fool
The Maze at Windermere is thrilling. This novel restored my faith and made me laugh out loud. It s rare that a novel comes along that is broad ranging, so very funny, profound, provocative, literary, and page-turning, and also word perfect. I went right back to the beginning when I d finished, marveling again at the radiant mind of Gregory Blake Smith.
Jane Hamilton, author of A Map of the World and The Excellent Lombards
Not since Beautiful Ruins have I read a novel with such breadth of imagination or depth of heart, nor a cast of characters so real, so varied, so compelling. In five exquisitely braided tales spanning nearly four centuries, Gregory Blake Smith illuminates the everlasting power of our passions and the hazard of our follies in essence, the many ways we mortals strive and yearn toward the center of the maze we each call life. This book is a tour de force: gorgeous, suspenseful, cunning, and wise.
Julia Glass, author of Three Junes
The Maze at Windermere is an astonishing book prismatic, continually surprising, daring not only in structure but in its investigation of the human heart. Somehow it manages to be both ruthless and tender. On top of all that, it s wildly, hurtlingly entertaining.
Leah Hager Cohen, author of The Grief of Others
Compelling . . . The changing language, landscape, and mores of three centuries of American history are depicted with verisimilitude, highlighting what doesn't change at all: the aspirations and crimes of the human heart.
Kirkus Reviews
Intricately designed and suspenseful . . . Though references to James work, particularly The Portrait of a Lady, abound, readers don t have to be familiar with his novels to relish the well-differentiated voices and worlds or to enjoy the way the novel s five story lines subtly shift and begin to merge.
Booklist (starred review)
Taken individually, each story is dramatic and captivating, but as the author makes ever-increasing connections among the stories and shuffles them all into one unbroken narrative, the novel becomes a moving meditation on love, race, class, and self-fulfillment in America across the centuries.
Publishers Weekly (starred review)
Compelling . . . Award-winning novelist Smith moves nimbly among his tales various settings and diverse characters within the confines of Newport. . . . [An] intricate tale.
Library Journal (starred review)
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