The Oxford Handbook of Shakespeare and Dance
(Sprache: Englisch)
Featuring new chapters from thirty leading scholars, The Oxford Handbook of Shakespeare and Dance examines the relationship between William Shakespeare - his life, works, afterlife - and dance.
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Featuring new chapters from thirty leading scholars, The Oxford Handbook of Shakespeare and Dance examines the relationship between William Shakespeare - his life, works, afterlife - and dance.
Klappentext zu „The Oxford Handbook of Shakespeare and Dance “
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image.Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines.
With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Inhaltsverzeichnis zu „The Oxford Handbook of Shakespeare and Dance “
- Foreword
- Acknowledgements
- List of Contributors
- Introduction
- SECTION I: SHAKESPEARE AND DANCE
- Section Introduction
- 1: Emily Winerock: "The heaven's true figure" or an "introit to all kin d of lewdness"? Competing Conceptions of Dancing in Shakespeare's England
- 2: Nona Monahin: Decoding Dance in Shakespeare's Much Ado About Nothing and Twelfth Night
- 3: Roger Clegg: "When the play is done, you shall have a Jig or dance of all treads": Danced Endings on Shakespeare's Stage
- 4: Anne Daye: "The revellers are entering": Shakespeare and Masquing Practice in Tudor and Stuart England
- 5: John R. Ziegler: We Are All Made: The Socioeconomics of The Two Noble Kinsmen's Anti-Masque Morris Dance
- 6: Lizzie Leopold: The Merchant of Venice's Missing Masque: Absence, Touch, and Religious Residues
- 7: Brandon Shaw: Shakespeare's Dancing Bodies: The Case of Romeo
- 8: Steven Swarbrick: Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale
- 9: Florence Hazrat: "The wisdom of your feet": Dance and Rhetoric on the Shakespearean Stage
- 10: Seth Stewart Williams: [They Dance]: Collaborative Authorship and Dance in Macbeth
- 11: Evelyn O'Malley: Dancing with the Archive: Early Dance for Shakespearean Adaptation
- SECTION II: SHAKESPEARE AS DANCE
- Section Introduction
- 12: Susan Jones: Shakespeare, Modernism, and Dance
- 13: Ray Miller: Dance in the Broadway Musicals of Shakespeare: Balanchine, Holms, and Robbins
- 14: Amy Rodgers: "Thou art translated: Affinity, Emulation, and Translation in George Balanchine's A Midsummer Night's Dream
... mehr
15: Lynsey McCulloch: "hildings and harlots": Kenneth MacMillan's Romeo and Juliet
16: Shakespeare Ballets in Germany: From Jean-Georges Noverre to John NeumeierIris Julia Bürle
17: Elinor Parsons: "Therefore ha' done with words": Shakespeare and Innovative British Ballets
18: Elizabeth Klett: Measure in Everything: Adapting Hamlet to the Contemporary Dance Stage
19: Jo Butterworth: Hamlet, the Ballet: Examining a Choreographic Process
20: Freya Vass- Rhee: Haunted by Hamlet: William Forsythe's Sider
21: Kathrina Farrugia-Kriel: Dancing her Death: Dada Masilo's The Bitter End of Rosemary (2011) as a South African Contemporary Rethinking of Hamlet's Ophelia
22: Ann E. Mazzocca and Denise Gillman: Embodiment, Reciprocity, and Reception: Shakespeare Adaptations in a Black Atlantic Context
23: James Hewison: Shakespeare and L.O.V.E: Dance and Desire in the Sonnets
24: Linda McJannet: Incorporating the Text: John Farmanesh
... weniger
Autoren-Porträt
Lynsey McCulloch is Senior Lecturer in English Literature at Coventry University and an Associate Member of its Centre for Dance Research (C-DaRE). She researches the relationship between literature and dance. A dance scholar-practitioner, Brandon Shaw's research interests include literature and dance, early modern European body culture, phenomenology, dance historiography, US Race Studies, and representations of the invisible in dance. He was the inaugural Mellon Postdoctoral Fellow in Dance Studies at Brown University and the recipient of the 2016 Gertrude Lippincott Award for outstanding publication in the field of Dance Studies.
Bibliographische Angaben
- 2019, 632 Seiten, Maße: 17,1 x 24,8 cm, Gebunden, Englisch
- Herausgegeben: Lynsey McCulloch, Brandon Shaw
- Verlag: Oxford University Press
- ISBN-10: 0190498781
- ISBN-13: 9780190498788
Sprache:
Englisch
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