Theatre and Religion on Krishna's Stage
Performing in Vrindavan
(Sprache: Englisch)
Theatre and Religion on Krishna s Stage examines the history and form of India's r
s lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and...
s lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and...
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Theatre and Religion on Krishna s Stage examines the history and form of India's rs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that r
s lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.
Inhaltsverzeichnis zu „Theatre and Religion on Krishna's Stage “
Theatre is God Krishna, Lila , and Freedom Origins of Child Performers in the Rs Lila Acting in the R
s Lila and Real Realism Theatre is Religion: the Acting Audience
Autoren-Porträt von D. Mason
DAVID V. MASON is Assistant Professor of Theatre at Rhodes College, USA.
Bibliographische Angaben
- Autor: D. Mason
- 2009, 1st ed., 195 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349379077
- ISBN-13: 9781349379071
Sprache:
Englisch
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