Ulysses

James Joyce was born on 2 February 1882 in Dublin. He studied modern languages at University College, Dublin. After graduating, Joyce moved to Paris for a brief period in 1902. In 1904 Joyce met Nora Barnacle, with whom he would spend the rest of his life and they moved to Europe and settled in Trieste where Joyce worked as a teacher. His first published work was a book of poems called Chamber Music (1907). This was followed by Dubliners (1914), A Portrait of the Artist as a Young Man (1916) and the play Exiles (1918). In 1915 the First World War forced Joyce and Nora and their two children to move to Zürich. Joyce's most famous novel, Ulysses, was published in Paris in 1922. In the same year he started work on his last great book, Finnegan's Wake (1939). James Joyce died in Zürich on 13 January 1941. Anne Enright was born in Dublin, where she now lives and works. She has written two collections of stories, published together as Yesterday's Weather, one book of non-fiction, Making Babies, and seven novels, including The Gathering, which won the 2007 Man Booker Prize, The Forgotten Waltz, which was awarded the Andrew Carnegie Medal for Excellence in Fiction, and The Green Road, which was the Bord Gáis Energy Novel of the Year and won the Kerry Group Irish Fiction Award. In 2015 she was appointed as the first Laureate for Irish Fiction, and in 2018 she received the Irish PEN Award for Outstanding Contribution to Irish Literature. She is also the recipient of the 2022 Irish Book Awards Lifetime Achievement Award and the 2024 Writers' Prize for Fiction. Anne Enright was born in Dublin, where she now lives and works. She has written two collections of stories, published together as Yesterday's Weather, one book of non-fiction, Making Babies, and seven novels, including The Gathering, which won the 2007 Man Booker Prize, The Forgotten Waltz, which was awarded the Andrew Carnegie Medal for Excellence in Fiction, and The Green Road, which was the Bord Gáis

Ulysses changed the stakes of the novel for ever, letting us see how extraordinary the everyday can be by plugging us straight into the minds of its characters, and using language in an electrifying way that only poets had dared to up till then New Statesman