Utopia and Monument

- Veronica Kaup-Hasler, True Love Leaves No Traces

- Sabine Breitwieser, Introduction and Acknowledgement

- Sabine Breitwieser,  Utopia and Monument: An Exhibition for Public Space in Two Stages at steirischer herbst in Graz in 2009 and 2010

- Simone Hain, The End of Appeasement: Art Alone Will Not Suffice

- Christine Frisinghelli, Diedrich Diederichsen by Sabine Breitwieser, Possiblilites for institutional actions, when such institutions act as their own audience, and when Vienna, and before something like Berlin, existed ..

- Utopia and Monument I, 2009 - On the Validity of Art between Privatization and the Public Sphere: Emiliano Gandolfi: Lara Almarcegui: Hidden Terrain with Abandoned Allotments

- Beate Söntgen: Nairy Baghramian: Construction Helper

- Silvia Eiblmayr: Ayse Erkmen: Pleasant Corners

- Søren Grammel: David Maljkovic: Untitled

- Claire Doherty: Heather & Ivan Morison: Du vergisst Dinge (You forget things)

- T. J. Demos: Nils Norman: Public Workplace Playground. Sculpture for Graz

- Werner Rügemer in Conversation with Alice Creischer and Andreas Siekmann: Andreas Siekmann: Trickle Down. The Public Space in the Age of its Privatization
- Juli Carson: Dolores Zinny & Juan Maidagan: Curtain Call for Graz

- Martin Fritz: Michael Zinganel: The City Speaks! A Fictitious Dialogue

- Doreen Mende: Kooperative fur Darstellungspolitik: Pavilion

- Utopia and Monument II, 2010 _ On Virtuosity and the Public Sphere: Ruby Sircar: Kooperative fur Darstellungspolitik & IZK, Institute for Contemporary Art, Graz University of Technology: Pavilion

- Francesco Manacorda: Armando Andrade Tudela: Project for Pergola

- Kobena Mercer: Kader Attia: The Myth of Order #1

- Jürgen Bock: Angela Ferreira: Cape Sonnets

- Andrea Fraser & Sabine Haring, Anja Eder: Andrea Fraser: You Are Here in Collaboration with sozYAH

- Brigitte Franzen: Isa Genzken: Clothesline (Dedicated to Michael Jackson)

- André

Sabine Breitwieser Since October 2010 she is Chief Curator for Media and Performance Art at The Museum of Modern Art in New York. She is Secretary and Treasurer of CIMAM - the International Committee of ICOM (International Council of Museums) for Museums and Collections of Modern Art. From 1988 until 2007 she was the (Founding) Director and Curator of the Generali Foundation in Vienna for which she has built the institution, the program and an important collection published in the volumes Exhibitions 1989-2007 (2008) and in Occupying Space (2003). She has curated numerous projects and edited as many publications on artists such as Dan Graham, Hans Haacke, Theresa Hak Kyung Cha, Andrea Fraser, Mary Kelly, Edward Krasi?ski, Gordon Matta-Clark, Gustav Metzger, Adrian Piper, Martha Rosler, Allan Sekula. Her most important thematic projects are Designs for the Real World, double life, RE-PLAY, vivencias/life experience or White Cube/Black Box. Recent projects - additionally to Utopia and Monument for the steirischer herbst - are Modernologies presented at MACBA (2009) in Barcelona and at the Museum of Modern Art in Warsaw (2010), and Which Life?, in the frame of the "curatorial project" at the Academy of Fine Arts Vienna.ernational Council of Museums) for Museums and Collections of Modern Art. From 1988 until 2007 she was the (Founding) Director and Curator of the Generali Foundation in Vienna for which she has built the institution, the program and an important collection published in the volumes Exhibitions 1989-2007 (2008) and in Occupying Space (2003). She has curated numerous projects and edited as many publications on artists such as Dan Graham, Hans Haacke, Theresa Hak Kyung Cha, Andrea Fraser, Mary Kelly, Edward Krasi?ski, Gordon Matta-Clark, Gustav Metzger, Adrian Piper, Martha Rosler, Allan Sekula. Her most important thematic projects are Designs for the Real World, double life, RE-PLAY, vivencias/life experience or White Cube/Black Box. Recent projects -