Virtual Music
How the Web Got Wired for Sound
(Sprache: Englisch)
Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web...
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Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.
Inhaltsverzeichnis zu „Virtual Music “
Introduction: Making Music in Thin Air Chapter 1 A Brief History of Interactive Music Chapter 2 Unsilent Night: A Case Chapter 3 The Brain Opera: A Case Study in Space Chapter 4 Music on the Web in the Twentieth Century Chapter 5 Cathedral: A Case Study in Time Chapter 6 Cell Phones and Satellites Chapter 7 Art and Ethics Online Chapter 8 The Grey Album: A Case Chapter 9 Virtual Music
Autoren-Porträt von William Duckworth
William Duckworth has composed over 100 works, including his Time Curve Preludes for solo piano, and the choral work, Southern Harmony. A professor of music at Bucknell University, he teaches both music history and composition. He lives in West New York, NJ, and Lewisburg, Pennsylvania.
Bibliographische Angaben
- Autor: William Duckworth
- 2005, 232 Seiten, Maße: 22,9 cm, Kartoniert (TB), Englisch
- Verlag: Taylor & Francis
- ISBN-10: 0415966752
- ISBN-13: 9780415966757
Sprache:
Englisch
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