Where Film Meets Philosophy - Godard, Resnais, and Experiments in Cinematic Thinking; .
Godard, Resnais, and Experiments in Cinematic Thinking
(Sprache: Englisch)
Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear...
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Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called film-philosophy, he devises a systematic theory of films philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Pontys theory of subject-object relations with Gilles Deleuzes image-philosophy, Vaughan applies this rich framework to a comparative analysis of Godard and Resnais. Situating the formative works of these filmmakers within a broader philosophical context, Vaughan pioneers a phenomenological film semiotics that reconciles two disparate methodologies and joins them to the achievements of two seemingly oppositional artists.
Autoren-Porträt von Hunter Vaughan
Hunter Vaughan is assistant professor of English and Cinema Studies at Oakland University. His scholarly interests include the moving image, philosophy, and the environment.
Bibliographische Angaben
- Autor: Hunter Vaughan
- 2013, 272 Seiten, 42 Abbildungen, Maße: 22,7 cm, Kartoniert (TB), Englisch
- Verlag: Columbia University Press
- ISBN-10: 0231161336
- ISBN-13: 9780231161336
Sprache:
Englisch
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