Digital Audiovisual Archives (PDF)
(Sprache: Englisch)
Today, huge quantities of digital audiovisual resources are already
available - everywhere and at any time - through Web
portals, online archives and libraries, and video blogs. One
central question with respect to this huge amount of audiovisual
data...
available - everywhere and at any time - through Web
portals, online archives and libraries, and video blogs. One
central question with respect to this huge amount of audiovisual
data...
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Today, huge quantities of digital audiovisual resources are already
available - everywhere and at any time - through Web
portals, online archives and libraries, and video blogs. One
central question with respect to this huge amount of audiovisual
data is how they can be used in specific (social, pedagogical,
etc.) contexts and what are their potential interest for target
groups (communities, professionals, students, researchers,
etc.).
This book examines the question of the (creative) exploitation of
digital audiovisual archives from a theoretical, methodological,
technical and practical point of view, especially in three main
directions of work:
- The repurposing and republishing of existing audiovisual
data.
- The building of community-centric audiovisual archives.
- The use of digital social media and Web 2 technology for the
diffusion and sharing of audiovisual content.
This book presents a series of concrete examples of creative
uses of digital audiovisual corpora for education, research and
cultural heritage preservation and valorization.
available - everywhere and at any time - through Web
portals, online archives and libraries, and video blogs. One
central question with respect to this huge amount of audiovisual
data is how they can be used in specific (social, pedagogical,
etc.) contexts and what are their potential interest for target
groups (communities, professionals, students, researchers,
etc.).
This book examines the question of the (creative) exploitation of
digital audiovisual archives from a theoretical, methodological,
technical and practical point of view, especially in three main
directions of work:
- The repurposing and republishing of existing audiovisual
data.
- The building of community-centric audiovisual archives.
- The use of digital social media and Web 2 technology for the
diffusion and sharing of audiovisual content.
This book presents a series of concrete examples of creative
uses of digital audiovisual corpora for education, research and
cultural heritage preservation and valorization.
Autoren-Porträt
Peter Stockinger is Full Professor at the National Institute of Oriental Languages and Civilisations (INALCO) in Paris and also Research Director of ESCoM (Cognitive Semiotics and New Media Research Lab) of the Fondation Maison des Sciences de l'Homme (FMSH) in Paris, France.
Bibliographische Angaben
- 2013, 1. Auflage, 302 Seiten, Englisch
- Herausgegeben: Peter Stockinger
- Verlag: John Wiley & Sons
- ISBN-10: 1118566211
- ISBN-13: 9781118566213
- Erscheinungsdatum: 07.02.2013
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- Dateiformat: PDF
- Größe: 8.48 MB
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Sprache:
Englisch
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