Not Born Digital (PDF)
Poetics, Print Literacy, New Media
(Sprache: Englisch)
Not Born Digital addresses from multiple perspectives - ethical, historical, psychological, conceptual, aesthetic - the vexing problems and sublime potential of disseminating lyrics, the ancient form of transmission and preservation of the human voice, in...
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Not Born Digital addresses from multiple perspectives - ethical, historical, psychological, conceptual, aesthetic - the vexing problems and sublime potential of disseminating lyrics, the ancient form of transmission and preservation of the human voice, in an environment in which e-poetry and digitalized poetics pose a crisis (understood as opportunity and threat) to traditional page poetry.
The premise of Not Born Digital is that the innovative contemporary poets studied in this book engage obscure and discarded, but nonetheless historically resonant materials to unsettle what Charles Bernstein, a leading innovative contemporary U.S. poet and critic of "official verse culture," refers to as "frame lock" and "tone jam." While other scholars have begun to analyze poetry that appears in new media contexts, Not Born Digital concerns the ambivalent ways page poets (rather than electronica based poets) have grappled with "screen memory" (that is, electronic and new media sources) through the re-purposing of "found" materials.
The premise of Not Born Digital is that the innovative contemporary poets studied in this book engage obscure and discarded, but nonetheless historically resonant materials to unsettle what Charles Bernstein, a leading innovative contemporary U.S. poet and critic of "official verse culture," refers to as "frame lock" and "tone jam." While other scholars have begun to analyze poetry that appears in new media contexts, Not Born Digital concerns the ambivalent ways page poets (rather than electronica based poets) have grappled with "screen memory" (that is, electronic and new media sources) through the re-purposing of "found" materials.
Autoren-Porträt von Daniel Morris
Daniel Morris is Professor of English at Purdue University, USA. He is author of The Writings of William Carlos Williams: Publicity for the Self (1995), Remarkable Modernisms: Contemporary American Authors on Modern Art(2002), The Poetry of Louise Glück: A Thematic Introduction (2006), After Weegee: Essays on Contemporary Jewish American Photographers (2011), and Lyric Encounters (Bloomsbury, 2013). He has also published two volumes of poetry, Bryce Passage (2004) and If Not for the Courage (2010).
Bibliographische Angaben
- Autor: Daniel Morris
- 2016, 1. Auflage, 256 Seiten, Englisch
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 1501316729
- ISBN-13: 9781501316722
- Erscheinungsdatum: 14.07.2016
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- Größe: 11 MB
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Sprache:
Englisch
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