On the Uses of the Fantastic in Modern Theatre / Palgrave Studies in Theatre and Performance History (PDF)
Cocteau, Oedipus, and the Monster
(Sprache: Englisch)
The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.
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The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.
Autoren-Porträt von I. Eynat-Confino
IRENE EYNAT-CONFINO is Associate Professor, Department of Theatre Studies, Tel-Aviv University, Israel.
Bibliographische Angaben
- Autor: I. Eynat-Confino
- 2008, 2008, 198 Seiten, Englisch
- Verlag: Springer-Verlag GmbH
- ISBN-10: 0230616968
- ISBN-13: 9780230616967
- Erscheinungsdatum: 24.11.2008
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Dateiformat: PDF
- Größe: 1.27 MB
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Sprache:
Englisch
Pressezitat
"Who are the monsters in Jean Cocteau s Infernal Machine ? Eynat-Confino s absorbing study gives us all facets of this central theme of Cocteau s modern classic and the ways monstrosity relates to Cocteau s self image as homosexual and poet. A must read for readers interested in Cocteau, modern French theater, and gender and gay studies. " - John M Clum, Professor of Theater Studies and English Duke University and author of Still Acting Gay: Male Homosexuality in Modern Drama and Something for the Boys: Musical Theater and Gay Culture
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