Performance and Technology (PDF)

PHILIP AUSLANDER Teaches Performance Studies in the School of Literature, Communication and Culture of the Georgia Institute of Technology, Atlanta, USA
JOHANNES BIRRINGER Independent Choreographer and Media Artist and Professor of Drama and Performance Technologies, Brunel University, UK
CAROL BROWN Choreographer, Performer and Writer, and Senior Research Fellow, Roehampton University, UK
CHRISTIE CARSON Senior Lecturer, Department of English, Royal Holloway, University of London, UK
ORON CATTS Artist/Researcher, Curator and also Co-founder and Artistic Director of SymbioticA, The Art & Science Collaborative Research Laboratory, School of Anatomy and Human Biology, University of Western Australia
MARK CONIGLIO Composer/Media artist, and Co-founder of Troika Ranch, the New York City-based Dance Theatre Company, USA
JOHN J. COOK Independent Scholar, Turkey
STEVE DIXON Professor of Performance and Technology, Brunel University, UK
BARRY EDWARDS Director of Optik
BEN JARLETT Research Assistant, Brunel University, UK
PETRA KUPPERS Associate Professor in the English Department, University of Michigan, USA
SUSAN MELROSE Professor of Performance Arts and Research Convenor for Performing Arts, in the School of Arts, Middlesex University, UK
SARAH RUBIDGE Reader in Digital Performance at the University of Chichester, UK
GRETCHEN SCHILLER Lecturer and Choreographer, Brunel University, UK
ROBERT WECHSLER Performing Artist and Researcher; Artistic Director of Palindrome
IONAT ZURR PhD Researcher, and Artist-in-residence in SymbioticA, Australia

'...a timely and informative survey of digital performance practices.' - Tracey Warr, editor of The Artist's Body

'...an enjoyable, well-researched, inspiring book that everybody with a keen interest in performance and technology should consider reading.' - Iryna Kuksa, New Theatre Quarterly

'Broadhurst and Machon's volume provides a snapshot of a relatively nascent scene, and an opportunity to survey both its strengths and weaknesses...' - Paul Rae, Contemporary Theatre Review