The Hamburg Dramaturgy by G.E. Lessing (PDF)
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The Hamburg Dramaturgy's collection of 104 short essays represents one of the eighteenth-century's most important critical engagements with the theater and its potential to promote humanistic discourse. This is the first complete English translation of this text, with extensive annotations that place the work in its historical context.
Wendy Arons is professor of drama at Carnegie Mellon University. She is the author of Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act (Palgrave Macmillan, 2006) and co-editor, with Theresa J. May, of Readings in Performance and Ecology (Palgrave Macmillan, 2012).
Sara Figal's research centers on eighteenth-century German literature and history. She is the author of Heredity, Race, and the Birth of the Modern (Routledge, 2011 and 2008) and co-editor, with Mark Larrimore, of The German Invention of Race (SUNY Press, 2007 and 2006).
Natalya Baldyga's research focuses on theater historiography, cultural identity, and the performing body in eighteenth-century Europe. Her published essays include "Sensate Cognition and Properly Feeling Bodies: G. E. Lessing, Acting Theory, and Emotional Regulation in Eighteenth-Century Germany" (Theatre Survey, 2017).
- 2018, 1. Auflage, 468 Seiten, Englisch
- Herausgegeben: Natalya Baldyga
- Übersetzer: Wendy Arons, Sara Figal
- Verlag: Taylor & Francis
- ISBN-10: 1135099286
- ISBN-13: 9781135099282
- Erscheinungsdatum: 26.10.2018
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- Größe: 2.29 MB
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