Theater: Theory/Text/Performance: Alienation Effects (ePub)
Performance and Self-Management in Yugoslavia, 1945-91
(Sprache: Englisch)
In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the...
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In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either "official" or "dissident" art; and shows thatthe break up of Yugoslavia was not a result of "ancient hatreds" among its peoples but instead came from the distortion and defeat of the idea of self-management.The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Ž iž ek, as well as performance and conceptual artists that deserve wider, international attention.
Autoren-Porträt von Branislav Jakovljevic
Branislav Jakovljevic is Associate Professor in the Department of Theater and Performance Studies at Stanford University.
Bibliographische Angaben
- Autor: Branislav Jakovljevic
- 2016, Englisch
- ISBN-10: 0472121987
- ISBN-13: 9780472121984
- Erscheinungsdatum: 13.06.2016
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- Dateiformat: ePub
- Größe: 3.88 MB
- Mit Kopierschutz
Sprache:
Englisch
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