Work in Cinema (PDF)
Labor and the Human Condition
(Sprache: Englisch)
Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, especially the place and time the film is made and the type of audience it addresses. Here, the contributors employ...
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Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, especially the place and time the film is made and the type of audience it addresses. Here, the contributors employ transnational and transhistorical perspectives to compare filmic depictions of work.
Autoren-Porträt von E. Kerr
Alice Bardan, University of Southern California, USAIb Bondebjerg, University of Copenhagen, Denmark
William Brown, Roehampton University, UK
Ian Fraser, Loughborough University, UK
?aneta Jamrozik, Jagiellonian University, Poland
Lars Kristensen, University of Skövde, Sweden
Alexandar Mihailovic, Hofstra University, USA
Eva Näripea, Estonian Academy of Arts, Estonia
Jonathan L. Owen, Exeter University, UK
David Sorfa, Liverpool John Moores University, UK
Christina Stojanova, University of Regina, Canada
Alfredo Suppia, Federal University of Juiz de Fora, Brazil
Glyn White, University of Salford, UK
Bibliographische Angaben
- Autor: E. Kerr
- 2013, 2013, 296 Seiten, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137370866
- ISBN-13: 9781137370860
- Erscheinungsdatum: 18.12.2013
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Größe: 2.08 MB
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Sprache:
Englisch
Pressezitat
"This is a timely and stimulating book. It shows, convincingly and compellingly, that far from simply ignoring work, cinema has probed and investigated it in original and important ways. The book explores cinematic history but is, above all, of the current moment. At its most productive when it brings together contemporary theories of work with careful close analysis of films, it is required reading for anyone interested in the representation of work and associated subjectivities." - Martin O'Shaughnessy, Professor of Film Studies, Nottingham Trent University, UK
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