World Cinemas, Transnational Perspectives / AFI Film Readers (PDF)
The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the...
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SCMS Award Winner "Best Edited Collection"
The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.
Kathleen E. Newman is Associate Professor of Cinema and Spanish at the University of Iowa. Her research and teaching focuses on Latin American, Chicano, and Spanish cinemas as well as on theoretical question regarding the relation between fictional narrative and politics and the relation between cinema and globalization. She is the author of La violencia deldicurso: elestado autoritario y la novella politicaargentina. Her current book project, Agentine SilentFilm: Feminism, Democracy, and Modernity, is a study of the relation between silent film, early feminist movements and democratization in Argentina in the first three decades of the twentieth century.
- 2009, 384 Seiten, Englisch
- Herausgegeben: Natasa Durovicová, Kathleen E. Newman
- Verlag: Taylor & Francis
- ISBN-10: 1135869987
- ISBN-13: 9781135869984
- Erscheinungsdatum: 10.09.2009
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- Größe: 5.33 MB
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