A Funny Kind of Paradise
(Sprache: Englisch)
A poignant, uplifting, brilliantly insightful story of one woman's end-of-life reckoning with her past, her lost daughter and herself, for readers of The Unlikely Pilgrimage of Harold Fry, Still Alice and Elizabeth Is Missing.
When her husband...
When her husband...
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A poignant, uplifting, brilliantly insightful story of one woman's end-of-life reckoning with her past, her lost daughter and herself, for readers of The Unlikely Pilgrimage of Harold Fry, Still Alice and Elizabeth Is Missing.When her husband left her with a baby, a toddler and a fledgling business, Francesca managed--she wasn't always gentle or patient, but the business thrived and Chris and Angelina had food to eat. At nearly 70, she feels she's earned a peaceful retirement. But when a massive stroke leaves her voiceless, partially paralyzed and wholly reliant on the staff of an extended care facility, it seems her freedom is lost.
However, Francesca is still clear-headed and sharp, and she knows one thing: she wants to live. She savours her view of a majestic chestnut tree through the hospital window, and speaks in her mind to her beloved friend Anna, dead for two years. The daily tasks and dramas of the rotating crew of care aides tether her to the world: Young Lily, eager to fall in love and regularly falling apart when things don't work out; Michiko, with her spiky hair and tattoos and wicked sense of humour; Molly, endlessly kind and skilled in her work; Blaire, cold and enigmatic.
Amidst the indignities of bed baths and a feeding tube, Francesca is surprised to experience flashes of hilarity and joy, even the blossoming of a new friendship with a fellow patient. But as she reflects to Anna on her dutiful son and her troubled and absent daughter, regrets and painful realizations rise to the surface. For the first time, there is nowhere for Francesca to hide from her own choices, and she must reckon with her past before it's too late. A Funny Kind of Paradise is a warm and insightful novel about one woman's opportunity for reinvention--for unconditional love, acceptance and closure--in the unlikeliest of places.
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My room is a five-bed ward. I survey my domain from my corner. Four other beds, four other souls, four other poor sods stuck here like me: my roommates.I know the most appallingly intimate things about them. And they about me, those who are still capable of knowing, which does rather narrow it down. We are not as we were, let s put it that way. (But unlike me, you are forgiving. You always were. Even now I am counting on your generous spirit.)
The bed on my left, in the darkest corner, belongs to Janet. Diabetes has made her blind and has taken her legs, amputated just below the knee, a fact that terrifies the new aides until someone teaches them how to position Janet s sling properly to ensure her safe transfer to the wheelchair. Once in a while, she complains about pain in her feet; sometimes she remembers they re gone and sometimes she doesn t. The nurses take her blood sugars, twitter about spiking and dropping, adjust her insulin and tell the aides to push juice or back off. Janet says she doesn t care. Janet hates the food.
Mary has the other bed with a window, but while my head is at the north wall, hers is on the south, so we face each other. Mary is the quintessential little old lady, with her permed hair in stiff white curls, her dentures, and a tissue up the sleeve of her cardigan. She is the darling, everyone s favourite, loved for her smile and her sunny nature. She was still walking with the help of the activity aides when I first came here, but she s on the slow slide, and no one would ever try to transfer her now without the overhead lift. She stiffened up gradually, and she talks a little less every day. We, her roommates, are grateful that she s passed the stage of calling out constantly, Hey, are you here for me? thinking that someone was coming to take her home to her mama. Mind you, we do miss some of the more innovative excuses the staff used to try to convince her that her mother wasn t going to be too worried about her whereabouts.
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You re so considerate of your mama! they would coo on a good day. Your mama knows you re here and she s glad you re safe.
You re ninety years old and your mama died fifty years ago! they d mutter under their breath on their way out the door.
Alice s bed is perpendicular between Mary s and mine, the head at the east-facing window and facing the door. Alice rarely rests. No wonder she s such a scrawny pack of bones, shuffling from bed to bed, night and day, looking for her children or maybe her purse. There s no malice in her, and if there ever was, she s forgotten her spite. She acts like there s something she should have remembered, on the tip of her tongue or tangled in the plaque in her cortex, thoughts like fishes struggling in a net. Poor anxious soul, endlessly tapping and sifting, sorting and folding, a worried expression on her face. Why they have her in the middle bed, open space on both sides, so exposed, I m sure I don t know. If I had to sleep there, without the comfort of a wall at my back, or a corner to turn my face to when I need to pretend I m alone, I d be anxious too. Even with the curtains pulled, Alice s is the worst bed in the room.
Kitty-corner to me is the woman I know only as Nana, and of her, dearest Anna, there is not much left to say. She has reached that stage of living death where she lies completely passive. Perhaps some distant signals reach her or perhaps she has truly gone, leaving nothing but an empty shell. At any rate, if s
You re ninety years old and your mama died fifty years ago! they d mutter under their breath on their way out the door.
Alice s bed is perpendicular between Mary s and mine, the head at the east-facing window and facing the door. Alice rarely rests. No wonder she s such a scrawny pack of bones, shuffling from bed to bed, night and day, looking for her children or maybe her purse. There s no malice in her, and if there ever was, she s forgotten her spite. She acts like there s something she should have remembered, on the tip of her tongue or tangled in the plaque in her cortex, thoughts like fishes struggling in a net. Poor anxious soul, endlessly tapping and sifting, sorting and folding, a worried expression on her face. Why they have her in the middle bed, open space on both sides, so exposed, I m sure I don t know. If I had to sleep there, without the comfort of a wall at my back, or a corner to turn my face to when I need to pretend I m alone, I d be anxious too. Even with the curtains pulled, Alice s is the worst bed in the room.
Kitty-corner to me is the woman I know only as Nana, and of her, dearest Anna, there is not much left to say. She has reached that stage of living death where she lies completely passive. Perhaps some distant signals reach her or perhaps she has truly gone, leaving nothing but an empty shell. At any rate, if s
... weniger
Autoren-Porträt von Jo Owens
JO OWENS lives in Victoria and has worked as a health care aide for twenty years. A Funny Kind of Paradise is her first novel.
Bibliographische Angaben
- Autor: Jo Owens
- 2021, 248 Seiten, Maße: 15,2 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Penguin Random House
- ISBN-10: 0735278822
- ISBN-13: 9780735278820
- Erscheinungsdatum: 24.03.2021
Sprache:
Englisch
Pressezitat
[An] affecting debut . . . Owens s believable, touching portrait of Frannie and the loving care of her aides is loaded with moments of beauty amid the swirl of regret and nostalgia. . . . These powerful final reflections of an irascible, regretful patient illustrate the unremarkable yet profound experience of nearing death. Publishers WeeklyOwens, a care aide for more than 20 years, captures the skill and tenderness of caring for someone at the end of life in direct and unvarnished prose. . . . Each [care aide] . . . is richly drawn and complex . . . [and the novel] serves to illuminate a vital profession that has been rarely documented in fiction. Vancouver Sun
"Like pulling rabbits from a hat, Jo Owens manages the magic of reaching into the most abject places of the human heart and other parts of the anatomy and finding joy, humour and redemption. She gifts the reader a story told with elegant wit and irreverent humour, and characters brought to life with love, often of the tough variety . . . and there is nothing more tender. I love this book." Ann-Marie MacDonald
Jo Owens achievement is astonishing. She has created a heroine whose zest for life is as unstoppable as her curiosity about the caregivers and patients in her long-term facility, and whose capacity for change is sometimes painful and frequently funny. What a delight to be privy to Francesca s blunt, ribald, exasperated and tender reactions to a life she never planned. Katherine Ashenburg, author of Sofie & Cecilia and Her Turn
A Funny Kind of Paradise is a gorgeous and original novel that explores a reality too often looked away from. A deeply compassionate examination of human life and its immeasurable value. Kevin Patterson, author of News From the Red Desert
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