A God in Ruins
Costa Novel Award Winner 2015
(Sprache: Englisch)
WINNER OF THE 2015 COSTA NOVEL AWARD: Kate Atkinson's number one Sunday Times bestseller, even more brilliant and ambitious than Life After Life.
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WINNER OF THE 2015 COSTA NOVEL AWARD: Kate Atkinson's number one Sunday Times bestseller, even more brilliant and ambitious than Life After Life.
Klappentext zu „A God in Ruins “
Kate Atkinson's dazzling novel LIFE AFTER LIFE explored the possibility of infinite chances, as Ursula Todd lived through the events of the 20th century again and again. In this stunning companion novel, Atkinson turns to Ursula's brother Teddy - would-be poet and RAF bomber pilot. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.
Autoren-Porträt von Kate Atkinson
Kate Atkinson is one of the world's foremost novelists. Her most recent novel, Shrines of Gaiety, set in the aftermath of the First World War, is a Sunday Times bestseller. She won the Whitbread Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her three critically lauded and prize-winning novels set around the Second World War are Life After Life, an acclaimed 2022 BBC TV series, A God in Ruins (both winners of the Costa Novel Award) and Transcription. Her bestselling literary crime novels featuring former detective Jackson Brodie, Case Histories, One Good Turn, When Will There Be Good News? and Started Early, Took My Dog, became a BBC television series starring Jason Isaacs. Jackson Brodie later returned in the novel Big Sky. Kate Atkinson was awarded an MBE in 2011 and is a Fellow of the Royal Society of Literature.
Bibliographische Angaben
- Autor: Kate Atkinson
- 2015, 576 Seiten, Maße: 11,1 x 17,7 cm, Kartoniert (TB), Englisch
- Verlag: Black Swan
- ISBN-10: 1784161152
- ISBN-13: 9781784161156
- Erscheinungsdatum: 04.01.2016
Sprache:
Englisch
Pressezitat
Triumphant...such a dazzling read...Atkinson gives Teddy's wartime experiences the full treatment in a series of thrilling set pieces. Even more impressive,though, is her ability to invest the more everday events with a similar grandeur...almost as innovative as Atkinson's technique in Life After Life - a possibly more authentic as an expression of how it feels to be alive...it ends on one of the most devastating twists in recent fiction...it adds a further level of overwhelming poignancy to an already extraordinarily affecting book. Daily Telegraph
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