A History of Experimental Film and Video: From the Canonical Avant-Garde to Contemporary British Practice
(Sprache: Englisch)
2nd edition.
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2nd edition.
Inhaltsverzeichnis zu „A History of Experimental Film and Video: From the Canonical Avant-Garde to Contemporary British Practice “
AcknowledgementsIntroduction to the 2nd EditionPrefaceIntroductionSitting the Avant-GardeVision MachineTime BasePoint of ViewModernismsPART I: THE CANONICAL AVANT-GARDEOrigins of the Moving Image (1780-1880)PhotographyArt and the Avant-Garde: Summary 1909-20The CubistsPrimitives and Pioneers (1880-1915)FuturistsAbstract FilmThe Comic BurlesqueThe Art Cinema and its CircuitCine-Poems and Lyric AbstractionOrigins of Abstract FilmThe Absolute FilmCubism and Poular FilmDada and Surrealist FilmThe French Avant-Garde 1924-32Voice and Vision in the Pre-War Avant-GardeTransition: into the 1930s and DocumentaryReviewing the First Avant-GardeUndergroundTwo Avant-Gardes (Mark 1)?StructuralPART II: BRITAIN, 1966-98English StructuralistsPrimitives and Post-StructralistsVideo StirsArt and PoliticsA cinema of Small GesturesRebel WavesArt Cinema's Odd Couple: Derek Jarman and Peter GreenawayNew PluralismBlack BritishElectronic ArtsyBa"Where are we now?"Points of ResistanceConclusion: In the Gallery and on the AirThe Migrating Frame from Film to VideoTopologiesThe Origins of the Avant-garde and Current PracticeNotesBibliographyIndex
Autoren-Porträt von A. L. Rees
A.L. Rees
Bibliographische Angaben
- Autor: A. L. Rees
- 2011, 196 Seiten, Maße: 15 x 23,1 cm, Kartoniert (TB), Englisch
- Verlag: BRITISH FILM INST % INDIA
- ISBN-10: 1844574369
- ISBN-13: 9781844574360
Sprache:
Englisch
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