A Tender Thing
(Sprache: Englisch)
An exhilarating debut novel set under the dazzling lights of late 1950s Broadway, where a controversial new musical pushes the boundaries of love, legacy, and art.
Growing up in rural Wisconsin, Eleanor O'Hanlon always felt different. In love with...
Growing up in rural Wisconsin, Eleanor O'Hanlon always felt different. In love with...
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An exhilarating debut novel set under the dazzling lights of late 1950s Broadway, where a controversial new musical pushes the boundaries of love, legacy, and art.Growing up in rural Wisconsin, Eleanor O'Hanlon always felt different. In love with musical theater from a young age, she memorized every show album she could get her hands on. So when she discovers an open call for one of her favorite productions, she leaves behind everything she knows to run off to New York City and audition. Raw and untrained, she catches the eye of famed composer Don Mannheim, who catapults her into the leading role of his new work, A Tender Thing, a provocative love story between a white woman and black man, one never before seen on a Broadway stage. As news of the production spreads, setting off an outpouring of protest that threatens the possibility of the show itself, Eleanor is forced to confront her own naive beliefs about the world.
Pulsing with the vitality and drive of 1950s New York, A Tender Thing immerses readers right into the heart of Broadway's Golden Age, a time in which the music soared and the world was on the brink of change.
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Chapter OneThe O'Hanlon farm was devoted mostly to pigs, with stalls for breeding and a large slaughterhouse on the west edge of the property. They also owned a horse barn, an apple orchard, a coop for chickens, and a field where they grew food for the animals. The farm was like a large body, clear yet relentless in its needs. While the animals' appetites stayed consistent and the chores of the day never changed-only occasionally growing more difficult, due to weather or workers' illness-Eleanor, who had spent nearly every day of her life on this farm, made mistakes. As often as she brushed the horses until they gleamed, she would also bring the chickens the wrong feed. She had a tendency to grow dreamy while picking apples and let too many wormy runts into the mix. She was not a stupid girl. But the place did not allow for a lack of attention, and though it had been her family's farm since her grandfather bought it forty years earlier, Eleanor was never interested enough to learn its rhythms.Still, while Eleanor dreaded all of her farm chores, she never once neglected to feed the pigs. On sterile winter mornings, she resisted the pull of her bedclothes and stepped onto the chilled floorboards. It was easier in summer, when she woke with the sheets sticking to her back.On her twenty-first birthday, the June sun was hot. She carried heavy pails with rag-wrapped handles that wouldn't cut into her palms. When the pigs noticed her approach, they swarmed the edge of the sty, their noises layering into a fugue of desperation.It was early, and dew still shone on the soybeans in the neighboring fields to the east. The land was flat and pale green, the sun sending rays straight into her eyes. Pink, fatty bodies rammed her legs; snouts nudged her hands and pockets in search of food. She greeted them each by name and dumped feed into the trough, rubber boots sinking into the mud. Eleanor was the one in the family who'd named the pigs. The names were born from a desire to
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bait rather than sentiment. It enraged her father. She hated the sows most-gelatinous, sedentary bodies reserved for reproduction and consumption, bellies already resembling Christmas hams. When Eleanor saw them, her tongue rose with sharp nausea.She slid out of the gate, using her thigh to keep the animals inside, and returned to the barn. A cat uncurled from its place on the supply shelf and darted away. The hay all around her was dry from the heat, which was good. Sometimes, on humid days, it was stuffy inside the barn. She closed the door so only a seam of light glowed through, inhaled, and began to sing.Even surrounded by the muffling hay, Eleanor's voice filled the space. She always warmed up with ascending scales. Her voice was a strong soprano with a persistent rasp, as if she had just woken up. She'd learned to sing in church, but despite her talent she was passed over for solos. Her mother said everyone was jealous; her best friend, Rosie, said it was because her voice was too sexy for Jesus.As soon as Eleanor had gotten old enough to manage the morning chores alone, she'd started rushing through them to make sure she had time to sing before breakfast. Some days, her barn mornings were all the practice time she got. So even when she did not want to wake up, she did, because the only thing worse than rising at dawn to feed the pigs was a day without singing.After her warm-up, she chose a song: "If I Were a Bell" from Guys and Dolls. It had opened on Broadway eight years earlier, and she'd memorized it off the record. It was a bright song, tipsy and fun, and reminded Eleanor of New York, where she had never been but burned to go. She loved to imagine what the actress might have looked like onstage-how could a woman make a song come to life with nothing but her body and voice? How would she move her fingers, her eyebrows, her shoulders? Eleanor pretended she was singing to a man, her scene partner, and stepped as far into the character as she could. For ha
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Autoren-Porträt von Emily Neuberger
Emily Neuberger is an MFA graduate and grant recipient at Brooklyn College's fiction program, and previously worked as an editorial assistant at Viking Books. She has a music degree from NYU, where she studied musical theater and writing. A performer for fifteen years, she performed at Carnegie Hall in Stephen Schwartz's birthday celebration and sang for Stephen Sondheim at the Music Institute of Chicago. She lives in Brooklyn, New York. A Tender Thing is her debut novel.
Bibliographische Angaben
- Autor: Emily Neuberger
- 2021, 336 Seiten, Maße: 13,8 x 20,9 cm, Kartoniert (TB), Englisch
- Verlag: Penguin Random House
- ISBN-10: 0593084896
- ISBN-13: 9780593084892
- Erscheinungsdatum: 24.03.2021
Sprache:
Englisch
Pressezitat
One of Playbill's 11 Books for Theatre Lovers to Read in Spring 2020One of Hello Giggles's 10 Best New Books to Take Your Mind Off Things
BookRiot's April 2020 Horoscope Pick for Aries
If you need a break from the present, hop back in time to the bright lights of Broadway in the 1950s .Fans of The Marvelous Mrs. Maisel will love it. Hello Giggles
"A Tender Thing drops at just the right time: if fans can t go to the theater right now, at least they can read about it. Variety
"Set in the '50s, this backstage novel follows aspiring star Eleanor O'Hanlon as she runs off to New York City to audition for one of her favorite musicals. Once in the Big Apple, romance and gigs quickly follow but protests, intense rehearsals, and rumors get in the way." Playbill
"Debut author Neuberger...clearly knows the world she's depicting; she brings to life with nice historical detail the rehearsal milieu....Smart, savvy, atmospheric work from a promising new talent." Kirkus Reviews
This period piece evokes the golden age of Broadway, from an author whose own performing background shines through. Historical details are well placed, and the characters are engaging .Readers of Elizabeth Gilbert s City of Girls or Fiona Davis s The Chelsea Girls will enjoy. Library Journal
Neuberger s thoughtful tale succeeds at showing how art can both reflect and change how people see the world. Publishers Weekly
The pull of Broadway and the real-life consequences of challenging social norms alongside a slight nod to romance keeps the story moving. Booklist
Emily Neuberger makes a smashing debut with this ode to 1950s Broadway, in which the fabled farm girl with big dreams finds herself in an altogether new story, rich with moral complication and unexpected twists. Neuberger portrays the midcentury theater world with conviction and authenticity, and creates a
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nuanced, unpredictable cast of characters that live on in the reader s imagination long after the final page. A Tender Thing is that rare book that s written from the heart, and still has something important to say about the human condition. Beatriz Williams, author of The Golden Hour and The Summer Wives
"A standing ovation for A Tender Thing. I was swept away by this riveting novel about friendship, love, womanhood, race, privilege, and what it means to make art. This book will make your heart sing." Lara Prescott, author of The Secrets We Kept
"Emily Neuberger's A Tender Thing effortlessly weaves together many ambitious ideas feminism, race, and sexuality, to name a few like the best of our great musicals. The result is an engrossing read that stays with you long after the final act." Garrard Conley, author of Boy Erased
"Emily Neuberger has penned a Broadway melody with great depth and humanity. She captures 1950s New York with characters who are heartfelt and provocative. A Tender Thing is a perfect choice for book clubs any and everywhere." David Gillham, author of City of Women and Annelies
"Everyone loves a good story about a plucky young woman trying to make her dreams come true in New York -- and with A Tender Thing, Emily Neuberger delivers a spectacular one! No superficial tale, Neuberger's ingenue must grapple with the complexities of love, race, and sexuality as she tries to make it big on the 1950s Broadway stage. A perfect book club read, as you'll want to discuss these characters with friends after you've devoured the novel." Suzanne Rindell, author of The Other Typist
An ode to New York, and to Broadway, and to an era long gone, A Tender Thing is a wonderful confection of a book. It s a stirring and assured debut. Joshua Henkin, author of Morningside Heights and The World Without You
A delightful trip to 1950 s New York with a climax that thrills and surprises. Bold, bright Eleanor O Hanlon is a joy to follow from the farm to the Great White Way. Lauren Kate, author of The Orphan s Song
"A standing ovation for A Tender Thing. I was swept away by this riveting novel about friendship, love, womanhood, race, privilege, and what it means to make art. This book will make your heart sing." Lara Prescott, author of The Secrets We Kept
"Emily Neuberger's A Tender Thing effortlessly weaves together many ambitious ideas feminism, race, and sexuality, to name a few like the best of our great musicals. The result is an engrossing read that stays with you long after the final act." Garrard Conley, author of Boy Erased
"Emily Neuberger has penned a Broadway melody with great depth and humanity. She captures 1950s New York with characters who are heartfelt and provocative. A Tender Thing is a perfect choice for book clubs any and everywhere." David Gillham, author of City of Women and Annelies
"Everyone loves a good story about a plucky young woman trying to make her dreams come true in New York -- and with A Tender Thing, Emily Neuberger delivers a spectacular one! No superficial tale, Neuberger's ingenue must grapple with the complexities of love, race, and sexuality as she tries to make it big on the 1950s Broadway stage. A perfect book club read, as you'll want to discuss these characters with friends after you've devoured the novel." Suzanne Rindell, author of The Other Typist
An ode to New York, and to Broadway, and to an era long gone, A Tender Thing is a wonderful confection of a book. It s a stirring and assured debut. Joshua Henkin, author of Morningside Heights and The World Without You
A delightful trip to 1950 s New York with a climax that thrills and surprises. Bold, bright Eleanor O Hanlon is a joy to follow from the farm to the Great White Way. Lauren Kate, author of The Orphan s Song
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