Acoustic Territories
Sound Culture and Everyday Life
(Sprache: Englisch)
Exploration of how sound permeates all aspects of life.
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Klappentext zu „Acoustic Territories “
Exploration of how sound permeates all aspects of life.
Inhaltsverzeichnis zu „Acoustic Territories “
Introduction: your sound is my sound is your sound; 1. Underground: Busking, Acousmatics, and the Echo; 2. Home: Ethical Volumes of Silence and Noise; 3. Sidewalk: Steps, Gait, and Rhythmic Journey-Forms; 4. Street: Auditory Latching, Cars, and the Dynamics of Vibration; 5. Shopping Mall: Muzak, Mishearing, and the Productive Volatility of Feedback; 6. Sky: Radio, Spatial Urbanism, and Cultures of Transmission; Bibliography; Index.
Autoren-Porträt von Brandon Labelle
Brandon LaBelle is an artist and writer working with sound culture and locational identities. His previous book, Background Noise: Perspectives on Sound Art, was published in 2006 also by Continuum. He is the editor of Errant Bodies Press and organizer of the related Surface Tension project. He is currently Professor at the National Academy of the Arts in Bergen, Norway.
Bibliographische Angaben
- Autor: Brandon Labelle
- 240 Seiten, mit Abbildungen, Maße: 15,2 x 22,9 cm, Kartoniert (TB), Englisch
- Verlag: Continuum Publishing Corporation
- ISBN-10: 1441161368
- ISBN-13: 9781441161369
- Erscheinungsdatum: 13.05.2010
Sprache:
Englisch
Rezension zu „Acoustic Territories “
"LaBelle, a sound artist and an academic, writes with a fluid brilliance about the way that sound interacts with the other elements of our experience with a kind of comprehension and comprehensiveness that can suggest Marshall McLuhan's Understanding Media or Siegfried Giedion's Mechanization Takes Command, resulting in a visionary tome linking history, subcultures and street art. It's not a book about music per se, but it's hard to imagine a reading of it not interacting creatively with anyone's thinking on musical practice and meaning.LaBelle has a kind of accepting overview that I can't help admiring. It's too easy to simply decry noise pollution or the behavioural engineering of public space without actually exploring what a specific event might mean (e.g., how sound is wrapped up in identity and issues of private and public space), but LaBelle has the ability to keep thinking where many others would just react. It's an ability that makes this one of the more stimulating reads of the year."-Point of Departure
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