African Roots, Brazilian Rites
Cultural and National Identity in Brazil
(Sprache: Englisch)
This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.
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This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.
Inhaltsverzeichnis zu „African Roots, Brazilian Rites “
What Roots? Which Routes? Where is Africa in the Nation? History as Transformative Praxis Ritual Encounters and Performative Moments From Candomblé to Carnaval: The Transformation of Ritual into Public Performance and Discourse Aesthetically Black: The Articulation of Blackness in the Black Arts Movement and Quilombhoje Performing Bodies Performing Blackness Performing Self: The Quest for a Transformative Poiesis Centering Blackness: Hip Hop and the Outing of Marginality Uma Luta que Nos Transcende
Autoren-Porträt von C. Sterling
CHERYL STERLING teaches African and African Diaspora studies in the Liberal Studies Program at New York University, USA. She is a Fulbright Scholar and is also the co-founder and editor of the on-line arts journal, AfroBeat Journal.
Bibliographische Angaben
- Autor: C. Sterling
- 2012, 1st ed., 260 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349436224
- ISBN-13: 9781349436224
Sprache:
Englisch
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