Auf dem Weg zur musikalischen Symbiose
Die Komponistin Younghi Pagh-Paan
This is the first book publication on the work of the composer Younghi Pagh-Paan, who was born in South Korea in 1945 and has been living in Germany for 46 years. It was in the wake of three symposia in 2015 and 2016 in Bremen, Berlin and Seoul (South...
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This is the first book publication on the work of the composer Younghi Pagh-Paan, who was born in South Korea in 1945 and has been living in Germany for 46 years. It was in the wake of three symposia in 2015 and 2016 in Bremen, Berlin and Seoul (South Korea), which were dedicated to the composer on the occasion of her 70th birthday, that the publication came to pass. Eight participants in these conferences reworked their lectures into essays; in addition, two contributions were written especially for this volume. They provide an overview of more than forty years of Younghi Pagh-Paan's work.
Klappentext zu „Auf dem Weg zur musikalischen Symbiose “
It was in the wake of three events with lectures and concerts dedicated to the composer Younghi Pagh-Paan on the occasion of her 70th birthday that this first book about her work was published. On 14 November 2015, a musicological colloquium was held at her long-standing place of work, the Hochschule für Künste in Bremen. "Poetry, Image and Voice. The Musical World of Younghi Pagh-Paan" was the theme of a symposium, which took place on 1 December 2015 at the Korean Cultural Centre in Berlin. Most recently, the Ewha Music Research Institute of the Ewha Women's University in Seoul honoured Younghi Pagh-Paan with a conference on 28 October 2016. Eight of the participants in these events reworked their lectures into essays for this publication. In addition, there are two contributions that the authors have written especially for this volume. They contain an overview of more than 40 creative years of Younghi Pagh-Paan, a review of the professor of composition's teaching, an analysis of her early self-portrayal, and studies that deal with a number of works of various instrumentations from different phases of her compositional work, looking at the East-West dichotomy of the Korean-born composer, who has lived and worked in Germany for 46 years, from a variety of perspectives.
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Inhaltsverzeichnis zu „Auf dem Weg zur musikalischen Symbiose “
EinleitungMax Nyffeler: Der lange Weg zum Selbst. Zu Younghi Pagh-Paans künstlerischer EntwicklungJoachim Heintz: Die LehrerinDörte Schmidt: Jeder hat [eine] eigene Tradition, wie jeder eine Vergangenheit hat. Younghi Pagh-Paan in Freiburg und Darmstadt in den 1970er und 1980er JahrenJin-Ah Kim: Erinnerte Heimat und Transkulturalität. Zur Korrelation von Person und musikalischem SchaffenAnne C. Shreffler: Hidden Utopias. The Political and Aesthetic Visions of Younghi Pagh-Paan's «Sori» (1979-80)Kilian Schwoon: Ebenen der Wirklichkeit in «TSI-SHIN-KUT»Sandeep Bhagwati: Das Theater der Stimme. «Flammenzeichen» als inter-disziplinäre und inter-traditionelle KunstAndreas Meyer: «Dorthin, wo der Himmel endet». Zur utopischen Verortung musikalischer Lyrik bei Younghi Pagh-PaanShin-Hyang Yun: Poesie, Image und Stimme bei Younghi Pagh-Paan im Fokus auf dem Gesangstext der «Herz»-Serie (1990-98)Ali Gorji: «In luce ambulemus». Analytische Reflexionen und Hintergründe
Bibliographische Angaben
- 2020, 168 Seiten, Maße: 17,2 x 24,1 cm, Kartoniert (TB), Deutsch
- Herausgegeben: Claudia Maurer Zenck
- Verlag: Schott Music, Mainz
- ISBN-10: 379572158X
- ISBN-13: 9783795721589
- Erscheinungsdatum: 23.09.2020
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