Black Magic Woman
Gender and the Occult in Weimar Germany
(Sprache: Englisch)
This book is a study of women's involvement in occult practices in Weimar Germany. The book examines reports of women engaging in actual occult practices (expressive dance, mediumism, witchcraft) as well as various fictional depictions of women as demonic...
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Produktinformationen zu „Black Magic Woman “
This book is a study of women's involvement in occult practices in Weimar Germany. The book examines reports of women engaging in actual occult practices (expressive dance, mediumism, witchcraft) as well as various fictional depictions of women as demonic or as possessing supernatural powers (ghosts, vampires, monsters).
Klappentext zu „Black Magic Woman “
This book is a study of women's involvement in occult practices in Weimar Germany. Women during the Weimar period experienced an unprecedented level of liberation. This included a greatly increased role in the work force as well as participation in other realms that were traditionally the province of men. They were also given the liberty to be more outwardly sexualized. Women engaging in occult practices during this period present an interesting example of the liberated woman. The occult woman reversed all traditional gender roles by the pretense of possessing powers that threatened male dominance.The book investigates the significance of the occult in the Weimar period by drawing on popular, scientific, and legal writings of women's involvement in the occult. In addition to examining reports of women engaging in actual occult practices (expressive dance, mediumism, and witchcraft), this book also considers various fictional depictions of women as demonic or as possessing supernatural powers (ghosts, vampires, and monsters). The author contends that both actual practices, as well as fictional depictions, constructed an imaginary female identity as a dangerous and grotesque monster.
Inhaltsverzeichnis zu „Black Magic Woman “
CONTENTS: The Occult Woman as Metaphor for Weimar's New Woman - The Ghost - The Vampire and the Monster Double - The Witch and the Gypsy - The Trance-Dancer and Medium.
Autoren-Porträt von Barbara Hales
Barbara Hales is Associate Professor of History and Humanities at the University of Houston-Clear Lake. Her research focuses on the cultural and intellectual history of Weimar and Nazi Germany. She has published numerous articles in journals such as German Quarterly, Monatshefte, and Seminar. She recently coedited the volumes Continuity and Crisis in German Cinema 1928-1936 (with Mihaela Petrescu and Valerie Weinstein) for Camden House and Rethinking Jewishness in Weimar Film (with Valerie Weinstein) for Berghahn. Dr. Hales is President of the Houston-based organization Center for Medicine After the Holocaust.
Bibliographische Angaben
- Autor: Barbara Hales
- 2021, Neuausgabe, XII, 206 Seiten, 25 Abbildungen, Maße: 15,7 x 23,2 cm, Kartoniert (TB), Englisch
- Herausgegeben: Helen Watanabe-O'Kelly
- Verlag: Peter Lang Ltd. International Academic Publishers
- ISBN-10: 1789976812
- ISBN-13: 9781789976816
Sprache:
Englisch
Pressezitat
«Connecting history, public discourse, and literary and filmic renditions of 'occult women,' Barbara Hales compellingly demonstrates how these figures are bound up with the fraught position of women in Weimar culture. Her richly textured readings add important nuance to our understanding of the complexity of gender in this era.» (Anjeana K. Hans, Associate Professor of German Studies, Wellesley College, and author of Gender and the Uncanny in Films of the Weimar Republic) «Excavating a rich, diverse trove of historical sources - from journalism, psychology, and criminology to literature and film - Dr. Hales's cultural history of women and the occult in Weimar Germany exposes a shadowy and little-explored realm of anxiety, pleasure, and power around the rise of the New Woman.» (Valerie Weinstein, Associate Professor of Women's, Gender, and Sexuality Studies and Niehoff Professor in Film and Media Studies, University of Cincinnati, and author of Antisemitism in Film Comedy in Nazi Germany)
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