Catch the Light
(Sprache: Englisch)
A love story perfect for fans of Nina LaCour and Jandy Nelson about a girl who moves cross country and finds herself falling for someone new who throws her whole life out of order.
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A love story perfect for fans of Nina LaCour and Jandy Nelson about a girl who moves cross country and finds herself falling for someone new who throws her whole life out of order."Beautifully captured, like a photograph of a stolen moment. I ached for Marigold in her journey to move forward while not forgetting her past. Kate Sweeney's Catch the Light overflows with grief, love, and growing up."--Amy Spalding, bestselling author of We Used to Be Friends
Nine months after the death of her father, Marigold is forced to pick up and move from sunny Los Angeles all the way across the country to rural Upstate New York. According to her mom, living with her aunt in a big old house in the woods is the fresh start Marigold and her little sister need. But Mary aches for the things she s leaving behind her best friend, her older sister, her now-long-distance boyfriend, and the senior year that felt like her only chance at making things feel normal again.
On top of everything, Mary has a troubling secret: she s starting to forget her dad. The void he s left in her memory is quickly getting filled with bonfires, house parties, and hours in the darkroom with Jesse, a fellow photographer and kindred spirit whom she can t stop thinking about. As the beauty of Mary s new world begins to sink in and her connection with Jesse grows stronger, she feels caught between her old life and her new one. Mary might just be losing her grip on the pieces of her life that she's tried so hard to hold together.
When the two finally come crashing together, Mary will have to decide what she really wants and come to terms with the ways that the loss of her dad has changed who she is. Even if she can't hold on to her past forever, maybe she can choose what to keep.
Lese-Probe zu „Catch the Light “
We drive into Cumberland, New York, late on a Wednesday afternoon and Oh my god.
It s beautiful.
It s the time of day when the light is just starting to turn gold and we re driving through thick forest and the sun is dappling down through the leaves everywhere. There are layers and layers of shifting light. Hundreds of shades of green. Magic.
It s almost enough to make me forget why we re here. It s almost enough to make me forget my grandparents in the front seat and the tedious, awkward, ten-day road trip and the hours of NPR and the slow driving and the musty motel rooms and the subtle humiliation of my grandmother herding us together at every single state park and viewing station, wielding her ancient iPad like a Leica M10 and chirping, Smile like you mean it.
It s almost enough to make me forget. Almost.
My sister Bea is sitting on the other side of the back seat with her earbuds in, staring out the window. She looks lost in thought and the leafy sunlight is moving across her pale, freckled face in little flickers and flashes. She s fourteen, old enough to be pissed about the whole thing, but young enough that it s not ruining her entire life.
To be clear: this whole thing is ruining my life. Not that it really matters. The grand scheme of things is much bigger than that. I get it.
But in California, I had friends. I had a boyfriend, sort of. I had a job at the photography store downtown. I had parties, hanging under the giant palm tree on the lawn after school, laying out in the hot sand at the beach on the weekends. A whole senior year shimmering off in the distance. Some days it was still hard to do anything grief pressing down like a weighted blanket but things were getting better.
And then, six weeks ago, a month before my older sister Hannah left for her freshman year of college in Connecticut, I overheard Mom on the phone.
I m drowning, El. I don t think I can do this.
My dad died nine months ago. If I try, I can say it now
... mehr
without really feeling anything. But my mom still disappears every time it comes up. She ll be standing right there in front of you, but the self inside of her is gone.
When I heard her say this, I m drowning, in a voice that crackled with sadness, I was surprised. The first few weeks after Dad died, she was blown wide open, leveled by a hurricane, splinters of her former self littering the front lawn. But then about three weeks in, she just got dressed and went to work. And that was the end of it.
I take out my camera, adjusting the shutter speed and focusing in on the tiny pieces of dust glowing gold on my window. I twist the lens and the dust blurs; leaves and sunlight emerge and sharpen.
Then the world in my viewfinder lurches and we pull into a long, bumpy driveway that winds through a tunnel of overgrown shrubs and briars. It s darker in here, too dark for photographs, the heavy greenery making it feel as though the sun s already gone down.
The car lumbers along, branches scratching across the windshield.
Jesus, my grandpa whispers.
Don t curse, Jack, Grandma whispers back.
Are we really leaving them here?
He must think that my music is on because I m wearing my earbuds, but I turned it off a while ago. Sometimes I like to listen without anyone knowing.
If it was up to my grandfather, we would all be moving to Ohio. He s my dad s dad, not my mom s, so all of this is really hard for him. He s also been ingrained with generations of Irish Catholic stoicism, which makes emoting difficult. He likes college football and church and reading the newspaper quietly in his chair. He doesn t like New York or California, preferring the flat expanse of the Midwest, where he s lived his entire
When I heard her say this, I m drowning, in a voice that crackled with sadness, I was surprised. The first few weeks after Dad died, she was blown wide open, leveled by a hurricane, splinters of her former self littering the front lawn. But then about three weeks in, she just got dressed and went to work. And that was the end of it.
I take out my camera, adjusting the shutter speed and focusing in on the tiny pieces of dust glowing gold on my window. I twist the lens and the dust blurs; leaves and sunlight emerge and sharpen.
Then the world in my viewfinder lurches and we pull into a long, bumpy driveway that winds through a tunnel of overgrown shrubs and briars. It s darker in here, too dark for photographs, the heavy greenery making it feel as though the sun s already gone down.
The car lumbers along, branches scratching across the windshield.
Jesus, my grandpa whispers.
Don t curse, Jack, Grandma whispers back.
Are we really leaving them here?
He must think that my music is on because I m wearing my earbuds, but I turned it off a while ago. Sometimes I like to listen without anyone knowing.
If it was up to my grandfather, we would all be moving to Ohio. He s my dad s dad, not my mom s, so all of this is really hard for him. He s also been ingrained with generations of Irish Catholic stoicism, which makes emoting difficult. He likes college football and church and reading the newspaper quietly in his chair. He doesn t like New York or California, preferring the flat expanse of the Midwest, where he s lived his entire
... weniger
Autoren-Porträt von Kate Sweeney
Kate Sweeney was born in Athens, Georgia, and has since lived many places, including Los Angeles, New York, and Salt Lake City. She began writing when she was sixteen. Her father--a novelist and screenwriter--had died five years prior, and in writing she found a way of bringing his voice back to her ears.For the past ten years she has resided in the Bay Area, where she spends her time making music with her band, Magic Magic Roses, teaching literacy, and working with her husband at the family art-framing business.
You can follow Kate on Twitter @ksweeneywrites.
Bibliographische Angaben
- Autor: Kate Sweeney
- Altersempfehlung: Ab 12 Jahre
- 2023, 368 Seiten, Maße: 14 x 21,3 cm, Kartoniert (TB), Englisch
- Verlag: Penguin Random House
- ISBN-10: 0593350251
- ISBN-13: 9780593350256
- Erscheinungsdatum: 04.01.2023
Sprache:
Englisch
Pressezitat
"Beautifully captured, like a photograph of a stolen moment. I ached for Marigold in her journey to move forward while not forgetting her past. Kate Sweeney's Catch the Light overflows with grief, love, and growing up."--Amy Spalding, bestselling author of We Used to Be Friends"Rendered with care and tenderness, Catch the Light is bound to resonate with anyone who has been uprooted by grief and has to forge a new path ahead whilhe yearning for what was lost. Marigold's odyssey of discovery may be full of imperfections and slip-ups along the way, but it's authentic and true to life. Kate Sweeney's debut is lovely, poignant, and certainly not one to miss."--Kalie Barnes-Young, B&N at the Grove in Los Angeles
* Healing through art is a theme to which Sweeney, who is also a singer-songwriter, does beautiful justice. Her expressive prose renders quotable lines on nearly every page of Catch the Light as Marigold opens herself up to inhabiting the new life she's forging after and despite her great loss. Catch the Light is an affecting and affirming case for the painful, transformative inevitability of hope in the face of heartache. --BookPage (starred review)
"An edgy love story in which everyone seems to have a secret to hide."--Kirkus Reviews
"Sweeney writes with fluid elegance, effectively capturing the foggy disengagement often conferred by mourning...[while the romance] offers plenty of sweetness despite the shadows"--BCCB
"A captivating study of the ways grief affects families, friendships, and the very idea of love."--Booklist
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