Conversation Pieces: Community and Communication in Modern Art
(Sprache: Englisch)
Grant Kester discusses a disparate network of artists and collectives - including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur - united by a desire to create new forms of understanding through...
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Grant Kester discusses a disparate network of artists and collectives - including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur - united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
Inhaltsverzeichnis zu „Conversation Pieces: Community and Communication in Modern Art “
List of Illustrations Acknowledgements Preface to the 2013 Edition Introduction 1. The Eyes of the Vulgar 2. Duration, Performativity, and Critique 3. Dialogical Aesthetics 4. A Critical Framework for Dialogical Practice 5. Community and Communicability Notes Index
Autoren-Porträt von Grant H. Kester
Grant H. Kester is Associate Professor of Art History at the University of California, San Diego, and the editor of Art, Activism, and Oppositionality: Essays from "Afterimage" (1998).
Bibliographische Angaben
- Autor: Grant H. Kester
- 239 Seiten, Maße: 15 x 22,6 cm, Kartoniert (TB), Englisch
- Verlag: UNIV OF CALIFORNIA PR
- ISBN-10: 0520275942
- ISBN-13: 9780520275942
- Erscheinungsdatum: 15.04.2013
Sprache:
Englisch
Rezension zu „Conversation Pieces: Community and Communication in Modern Art “
"A much-needed discussion regarding a practice that is too often ignored. We need a dialogue about what community art is and could be. . .We need more discussions like Kester's that question the traditional roles of artists and audiences." - Kristen Rhodes, Public Art Review
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