Cuba (Winner of the Pulitzer Prize)
An American History
(Sprache: Englisch)
"A page-turning masterpiece . . . rarely is good history this kind of literary performance." -David W. Blight, Yale University, author of the Pulitzer Prize-winning Frederick Douglass: Prophet of Freedom
An epic, sweeping history of Cuba...
An epic, sweeping history of Cuba...
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"A page-turning masterpiece . . . rarely is good history this kind of literary performance." -David W. Blight, Yale University, author of the Pulitzer Prize-winning Frederick Douglass: Prophet of Freedom
An epic, sweeping history of Cuba and its complex ties to the United States-from the arrival of Columbus to the present day-written by one of the world's leading historians of Cuba.
An epic, sweeping history of Cuba and its complex ties to the United States-from the arrival of Columbus to the present day-written by one of the world's leading historians of Cuba.
Klappentext zu „Cuba (Winner of the Pulitzer Prize) “
WINNER OF THE PULITZER PRIZE IN HISTORYWINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY
"Full of...lively insights and lucid prose" (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States-from before the arrival of Columbus to the present day-written by one of the world's leading historians of Cuba.
In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued-through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington-Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden-have made the relationship between the two nations a subject of debate once more.
Now, award-winning historian Ada Ferrer delivers an "important" (The Guardian) and moving chronicle that demands a new reckoning with both the island's past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade.
Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; "readers will close [this] fascinating book with a
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sense of hope" (The Economist).
Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States-as well as the author's own extensive travel to the island over the same period-this is a stunning and monumental account like no other.
Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States-as well as the author's own extensive travel to the island over the same period-this is a stunning and monumental account like no other.
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Prologue: There and Here Prologue THERE AND HERE Cuba: An American History tells the story of a tropical island that sits between the Atlantic Ocean and the Caribbean Sea, not far from the United States. It is a history of more than half a millennium, from before the arrival of Christopher Columbus to the death of Fidel Castro and beyond. Yet, for a history so sweeping in scope, this is also a deeply personal book.
I was born in Havana between the Bay of Pigs invasion of 1961 and the Cuban Missile Crisis of 1962. My father was in New York, having left the island a few months earlier. My mother went into labor alone and hailed herself a cab to Workers' Maternity. The hospital's name fit the moment; Cuba was, after all, in the throes of a radical revolution, avowedly socialist and stridently anti-imperialist. Yet the hospital had been built two decades earlier under the rule of Fulgencio Batista, the very dictator Castro unseated in 1959. Monumental in size and style, the hospital won architecture awards when it was built. Its most emblematic feature towers over the main entrance, a soaring ceramic statue of a mother and child created by Teodoro Ramos Blanco, a Black sculptor who was among Cuba's most renowned artists. That morning in June 1962, my mother paused and looked up at the statue as if in prayer before entering the hospital to give birth. Ten months later, she left Cuba, statuesque in her heels and with me an infant in her arms.
We left the house at six in the evening. My nine-year-old brother was outside playing with friends, and she had not told him that we were leaving without him. His father, her first husband, would not grant permission for him to go. At the airport, a woman in uniform put her fingers to my earlobes to feel the tiny gold-post earrings, as if about to take them, and then changed her mind. On arriving in Mexico, my mother had to rely on the kindness of a stranger to make it into the city. When we got to Jim Crow Miami a few
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months later, my mother encountered an old acquaintance helping officials assign newcomers to hotels. In the United States, my mother might have been regarded as Black, though in Cuba she was not. Her old friend assigned us to a white hotel. Arriving at the airport in New York a few days later, I opened my arms to my waiting father, as if I already knew him. These and other stories were my inherited memory of our departure from Cuba and our arrival in the United States.
After some initial moving around-Harlem, Brooklyn, Miami-we settled in West New York, New Jersey, a working-class community that was predominantly Cuban. On Saturdays, I wrote letters to my brother and grandmother in Cuba. On Sundays, I listened to our priest pray for the release of political prisoners on the island. Every September 8, I walked in the procession for Cuba's patron saint, La Caridad del Cobre, or the Virgin of Charity, marching past buildings painted with anti-Castro graffiti. After work, my mother sometimes cried about people still back home-her son, in particular. An absent presence, a present absence, Cuba was impossible to escape.
Eventually I stopped trying and decided instead that I needed to understand it. To the stories I had heard for so long, I began adding my own questions. My parents had not lost property or income to the revolution, so why had they left? Why had their brothers and sisters mostly stayed? Does a revolution change people? Does migration? Who had my brother become, and who would I be if we had stayed? Alongside the phantasmagorical Cuba that surrounded me, I began conjuring my own.
Then in 1990, I returned to Cuba for the first time. I visited the people we had left behind-those still living
After some initial moving around-Harlem, Brooklyn, Miami-we settled in West New York, New Jersey, a working-class community that was predominantly Cuban. On Saturdays, I wrote letters to my brother and grandmother in Cuba. On Sundays, I listened to our priest pray for the release of political prisoners on the island. Every September 8, I walked in the procession for Cuba's patron saint, La Caridad del Cobre, or the Virgin of Charity, marching past buildings painted with anti-Castro graffiti. After work, my mother sometimes cried about people still back home-her son, in particular. An absent presence, a present absence, Cuba was impossible to escape.
Eventually I stopped trying and decided instead that I needed to understand it. To the stories I had heard for so long, I began adding my own questions. My parents had not lost property or income to the revolution, so why had they left? Why had their brothers and sisters mostly stayed? Does a revolution change people? Does migration? Who had my brother become, and who would I be if we had stayed? Alongside the phantasmagorical Cuba that surrounded me, I began conjuring my own.
Then in 1990, I returned to Cuba for the first time. I visited the people we had left behind-those still living
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Autoren-Porträt von Ada Ferrer
Ada Ferrer is Julius Silver Professor of History and Latin American and Caribbean Studies at New York University, where she has taught since 1995. She is the author of Insurgent Cuba: Race, Nation, and Revolution, 1868-1898, winner of the Berkshire Book Prize for the best first book by a woman in any field of history, and Freedom's Mirror: Cuba and Haiti in the Age of Revolution, which won the Frederick Douglass Book Prize from the Gilder Lehrman Center at Yale University as well as multiple prizes from the American Historical Association. Born in Cuba and raised in the United States, she has been traveling to and conducting research on the island since 1990.
Bibliographische Angaben
- Autor: Ada Ferrer
- 2022, 576 Seiten, Maße: 13,9 x 21,2 cm, Kartoniert (TB), Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 1501154567
- ISBN-13: 9781501154560
- Erscheinungsdatum: 04.07.2022
Sprache:
Englisch
Pressezitat
"The heroes of Ada Ferrer's narrative are the island's nationalists and reformers. . . . [She] reveals a relationship that is deeper and more troubled than it may appear. . . . Yet readers will close Ms. Ferrer's fascinating book with a sense of hope. . . . moving." -The Economist"Cuba focuses on the equivocal relationship of the two countries, and presents it convincingly as symbiotic. . . . exemplary . . . [full of] lively insights and lucid prose. . . . By being equally severe with Cuban leaders and US leaders, Ms. Ferrer achieves an honorable objective: pleasing nobody by being just." -Wall Street Journal
"Important. . . . rather than putting geopolitics or 'great men' at the heart of the book, Ferrer's focus is on the Cuban people, the descendants of whom are calling for libertad." -The Guardian
"Ferrer's narrative history of Cuba's past 500 years is epic, authoritative, and deeply insightful. . . . [an] essential book. . . . Cuba is broad and expansive and inclusive, telling a hemisphere-wide story of colonialism, enslavement, and entangled empires, nations, and peoples-the legacies of which are still with us." -Geraldo Cadava, Public Books
"This monumental new book represents another formidable piece of original scholarship. It is written, moreover, in an admirably paced narrative style, which, one suspects, will earn it pride of place among the published histories of Cuba." -Jon Lee Anderson, Foreign Affairs
"An encompassing look back at Cuba, from before the arrival of Columbus to the present day. . . . a moving chronicle of the relationship between the United States and Cuba and what that's meant for both sides." -Forbes
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