Dickens on Screen
(Sprache: Englisch)
Dickens on Screen is a broad ranging investigation of over a century of film adaptations of Dickens's works.
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Dickens on Screen is a broad ranging investigation of over a century of film adaptations of Dickens's works.Inhaltsverzeichnis zu „Dickens on Screen “
Illustrations; Contributors; Acknowledgments; Introduction John Glavin; Part I: 1. Dickens, psychoanalysis and film: a roundtable Gerhard Joseph; Part II: 2. David Copperfield's home movies John Bowen; 3. David Lean's Great Expectations Regina Barreca; 4. Great Expectations on Australian television John O. Jordan; 5. Dickens 'The Signalman' and Rubini's La Stazione Alessandro Vescovi; 6. Bill Murray's Christmas Carols Murray Baumgarten; 7. Screen memories in Dickens and Woody Allen Robert M. Polhemus; Part III: 8. Writing after Dickens: the television writer's art John Romano; 9. Directing Dickens: Alfonso Cuaron's 1998 Pam Katz; 10. Playing Dickens: an interview with Miriam Margolyes; Part IV: 11. Cinematic Dickens and uncinematic words Kamilla Elliott; 12. Dickens, Eisenstein, film Garrett Stewart; 13. Orson Welles and Charles Dickens 1938-1941 Marguerite Rippy; 14. David Copperfield (1935) and the US curriculum Steve J. Wurzler; 15. Dickens, Selznick, and Southpark Jeffrey Sconce; 16. Tiny Tim on screen: a disabilities perspective Martin F. Norden; Part V: Dickens composed: film and television adaptation 1897-2001 Kate Charnell Watt and Kate Lonsdale.
Autoren-Porträt
John Glavin is Professor of English, and Director of the John Carroll Scholars Program Georgetown University in Washington DC. He is the author of After Dickens: Reading, Adaptation and Performance (Cambridge 1999).
Bibliographische Angaben
- 238 Seiten, Maße: 15,2 x 22,9 cm, Kartoniert (TB), Englisch
- Herausgegeben: John Glavin
- Verlag: Cambridge University Press
- ISBN-10: 0521001242
- ISBN-13: 9780521001243
- Erscheinungsdatum: 27.08.2010
Sprache:
Englisch
Rezension zu „Dickens on Screen “
"Raises a number of issues that are pertinent to the many debates that center around the translation of nineteenth-century fiction into film more generally..." Kate Flint, Studies in English Literature "For such a reader, this book offers a fresh and, at times, irreverent perspective on the complex interactions between film and literature...Glavin's collection lays a strong foundation upon which to build." Dickens Quarterly, Cara Lane, University of Washington
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