Disquiet, Please!
More Humor Writing From The New Yorker
(Sprache: Englisch)
"The New Yorker" ist, natürlich, eine Bollwerk ausgezeichneter Essays, einflussreichen Investigativ-Journalismus' und aufschlussreicher Kunstkritik. Aber seit 80 Jahren war er auch immer zum Totlachen. Tatsächlich nannte Gründer Harold Ross das legendäre...
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"The New Yorker" ist, natürlich, eine Bollwerk ausgezeichneter Essays, einflussreichen Investigativ-Journalismus' und aufschlussreicher Kunstkritik. Aber seit 80 Jahren war er auch immer zum Totlachen. Tatsächlich nannte Gründer Harold Ross das legendäre Magazin in seiner Geburtsstunde im Jahr 1925 ein "Comic Wochenblatt". Während sich daraus viel mehr entwickelt hat, ist "The New Yorker" seiner ursprünglichen Mission treu geblieben. Mit dieser Sammlung wird eine Zusammenstellung der lustigen Geschichten veröffentlicht, so satirisch und witzig, misanthropisch und bedrohlich wie die allererste, "Fierce Pajamas".
Klappentext zu „Disquiet, Please! “
The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years it s also been a hoot. Now an uproarious sampling of its funny writings can be found in this collection, by turns satirical and witty, misanthropic and menacing. From the 1920s onward but with a special focus on the latest generation here are the humorists who have set the pace and stirred the pot, pulled the leg and pinched the behind of America. The comic lineup includes Christopher Buckley, Ian Frazier, Veronica Geng, Garrison Keillor, Steve Martin, Susan Orlean, Simon Rich, David Sedaris, Calvin Trillin, and many others. If laughter is the best medicine, Disquiet, Please! is truly a wonder drug.
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JAMES THURBERTHE BREAKING UP OF THE WINSHIPS
THE trouble that broke up the Gordon Winships seemed to me, at first, as minor a problem as frost on a windowpane. Another day, a touch of sun, and it would be gone. I was inclined to laugh it off, and, indeed, as a friend of both Gordon and Marcia, I spent a great deal of time with each of them, separately, trying to get them to laugh it off, too with him at his club, where he sat drinking Scotch and smoking too much, and with her in their apartment, that seemed so large and lonely without Gordon and his restless moving around and his quick laughter. But it was no good; they were both adamant. Their separation has lasted now more than two months. I doubt very much that they will ever go back together again.
It all started one night at Leonardo s, after dinner, over their Bénédictine. It started innocently enough, amiably even, with laughter from both of them, laughter that froze finally as the clock ran on and their words came out sharp and flat and stinging. They had been to see Anna Karenina. Gordon hadn t liked it very much: He said that Fredric March s haircut made the whole thing seem silly. Marcia had been crazy about it because she is crazy about Greta Garbo. She belongs to that considerable army of Garbo admirers whose enchantment borders almost on fanaticism and sometimes even touches the edges of frenzy. I think that, before everything happened, Gordon admired Garbo, too, but the depth of his wife s conviction that here was the greatest figure ever seen in our generation on sea or land, on screen or stage, exasperated him that night. Gordon hates (or used to) exaggeration, and he respects (or once did) detachment. It was his feeling that detachment is a necessary thread in the fabric of a woman s charm. He didn t like to see his wife get herself into a sweat over anything and, that night at Leonardo s, he unfortunately used that expression and made that accusation.
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Marcia responded, as I get it, by saying, a little loudly (they had gone on to Scotch and soda), that a man who had no abandon of feeling and no passion for anything was not altogether a man, and that his so-called love of detachment simply covered up a lack of critical appreciation and understanding of the arts in general. Her sentences were becoming long and wavy, and her words formal. Gordon suddenly began to pooh-pooh her; he kept saying Pooh! (an annoying mannerism of his, I have always thought). He wouldn t answer her arguments or even listen to them. That, of course, infuriated her. Oh, pooh to you, too! she finally more or less shouted. He snapped at her, Quiet, for God s sake! You re yelling like a losing prizefight manager! Enraged at that, she had recourse to her eyes as weapons and looked steadily at him for a while with the expression of one who is viewing a small and horrible animal, such as a horned toad. They then sat in moody and brooding silence for a long time, without moving a muscle, at the end of which, getting a hold on herself, Marcia asked him, quietly enough, just exactly what actor on the screen or on the stage, living or dead, he considered greater than Garbo. Gordon thought a moment and then said, as quietly as she had put the question, Donald Duck. I don t believe that he meant it at the time, or even thought that he meant it. However that may have been, she looked at him scornfully and said that that speech just about perfectly represented the shallowness of his intellect and the small range of his imagination. Gordon asked her not to make a spectacle of herself she had raised her voice slightly and went on to say that her failure to see the genius of Donald Duck proved conclusively to him that she was a woman without humor. That, he said, he ha
Marcia responded, as I get it, by saying, a little loudly (they had gone on to Scotch and soda), that a man who had no abandon of feeling and no passion for anything was not altogether a man, and that his so-called love of detachment simply covered up a lack of critical appreciation and understanding of the arts in general. Her sentences were becoming long and wavy, and her words formal. Gordon suddenly began to pooh-pooh her; he kept saying Pooh! (an annoying mannerism of his, I have always thought). He wouldn t answer her arguments or even listen to them. That, of course, infuriated her. Oh, pooh to you, too! she finally more or less shouted. He snapped at her, Quiet, for God s sake! You re yelling like a losing prizefight manager! Enraged at that, she had recourse to her eyes as weapons and looked steadily at him for a while with the expression of one who is viewing a small and horrible animal, such as a horned toad. They then sat in moody and brooding silence for a long time, without moving a muscle, at the end of which, getting a hold on herself, Marcia asked him, quietly enough, just exactly what actor on the screen or on the stage, living or dead, he considered greater than Garbo. Gordon thought a moment and then said, as quietly as she had put the question, Donald Duck. I don t believe that he meant it at the time, or even thought that he meant it. However that may have been, she looked at him scornfully and said that that speech just about perfectly represented the shallowness of his intellect and the small range of his imagination. Gordon asked her not to make a spectacle of herself she had raised her voice slightly and went on to say that her failure to see the genius of Donald Duck proved conclusively to him that she was a woman without humor. That, he said, he ha
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Autoren-Porträt von David Remnick
David Remnick is the editor of The New Yorker.Henry Finder is the editorial director of The New Yorker.
Bibliographische Angaben
- Autor: David Remnick
- 2010, 544 Seiten, Maße: 15,6 x 23,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: David Remnick, Henry Finder
- Verlag: Penguin Random House
- ISBN-10: 0812979974
- ISBN-13: 9780812979978
- Erscheinungsdatum: 12.03.2010
Sprache:
Englisch
Pressezitat
The laughs start with the title and never stop. Entertainment WeeklyPlenty of laugh-out-loud moments. Washington Post
Some names in this collection elicit laughter upon mention Woody Allen, Dorothy Parker, E. B. White but meet some new voices Simon Rich on free-range chicks, Noah Baumbach on his last relationship in the form of Zagat reviews. Chicago Tribune, Editor s Choice
[Spans] decades of brilliant lunacy. . . . Warning label: Guffaws are a side effect of ingesting Disquiet. San Diego Union-Tribune
Stellar indeed. . . . One of the joys of this collection is seeing how the writers approach a seemingly innocuous idea, then stretch it, shake it and bake it into something completely ridiculous and hilarious. Toronto Star
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