Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima

AcknowledgementsNotes on ContributorsIntroduction: Know Your Enemy, Know Yourself, by Rikke Schubart and Anne GjelsvikPart 1: History1. The Making and Remakings of an American Icon: 'Raising the Flag on Iwo Jima' from Photojournalism to Global, Digital Media, by Mette Mortensen2. The Forgotten Cinematographer of Mount Suribachi: Bill Genaust's Eight-Second Iwo Jima Footage and the Historical Facsimile, by Bjorn Sorenssen3. Flags of Their Stepfather? Race and Culture in the Context of Military Service and the Fight for Citizenship, by Martin Edwin AndersenPart 2: Flags of Our Fathers6. Following the Flag in American Film, by Robert Eberwein7. Care or Glory? Picturing a New War Hero, by Anne Gjelsvik8.Beyond Mimesis: War, History, and Memory in Flags of Our Fathers, by Holger Potzsch9. Clint Eastwood's Postclassical Multiple Narratives of Iwo Jima, by Glenn Man10. Haunting in the War Film: Flags of Our Fathers, by Robert BurgoynePart 3: Letters from Iwo Jima11. Eastwood and the Enemy, by Rikke Schubart12. Eat of Eastwood: Iwo Jima and the Japanese Context, by Lars-Martin Sorensen13. Humanism versus Patriotism: Eastwood Trapped in the Bi-polar Logic of Warfare, by Mikkel Bruun Zangenberg14. Suicide in Letters from Iwo Jima, by Robert BurgoynePart 4: War Today15. To Sell a War: Flags, Lies, and Tragedy, by Vibeke Schou Tjalve16. Banzai! Letters from Iwo Jima and Choosing the Enemy in Risk Society, by Mikkel Vedby RasmussenFilmographyIndex

Anne Gjelsvik is professor of film studies at the Department of Art and Media Studies at the Norwegian University of Science and Technology. She has written about popular cinema, film violence and ethics, and the representation of gender in the media. She is currently working on representations of fatherhood in contemporary American cinema. Rikke Schubart is an associate professor at the University of Southern Denmark. Her research concerns gender and genre in horror, war films, and action cinema.