End of Cinema?
A Medium in Crisis in the Digital Age
(Sprache: Englisch)
Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an...
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Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come.
Autoren-Porträt von André Gaudreault, Philippe Marion
André Gaudreault is a professor in the department of art history and cinema studies at the Université de Montréal, where he is director of GRAFICS and director of the journal Cinémas. Philippe Marion is a professor at the Université catholique de Louvain. His research focuses on the fields of media narratology and the comparative analysis of media and media discourses.
Bibliographische Angaben
- Autoren: André Gaudreault , Philippe Marion
- 2015, 256 Seiten, Maße: 14,1 x 21,1 cm, Kartoniert (TB), Englisch
- Übersetzung: Barnard, Timothy
- Übersetzer: Timothy Barnard
- Verlag: Columbia University Press
- ISBN-10: 0231173571
- ISBN-13: 9780231173575
- Erscheinungsdatum: 05.05.2015
Sprache:
Englisch
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