Fascism in Italian Cinema since 1945
The Politics and Aesthetics of Memory
(Sprache: Englisch)
From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging...
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From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging stereotypes, remembering selectively and silently forgetting the most shameful pages of Italy's history.
Inhaltsverzeichnis zu „Fascism in Italian Cinema since 1945 “
PART I: REVISIONISM 1. Remembering the 'long Second World War' in Europe 2. The Blood of the Defeated PART II: RESISTANCE 3. Neorealist Catharses 4. Luigi Zampa: Fascism and italianità PART III: RECONSTRUCTION 5. Clueless Fascists and Accidental Anti-Fascists 6. Il Federale 's Apolitical Commitment PART IV: REVOLUTION 7. The Sins of the Fathers 8. Ettore Scola's Ordinary Day PART V: RECURRENCES 9. Black Shirts, Hearts of Gold: Recurrent Memories 10. Unexploded Ordnance: Recurrent Amnesias Epilogue Bibliography Filmography
Autoren-Porträt von G. Lichtner
Giacomo Lichtner is Senior Lecturer in History and Film at Victoria University of Wellington, New Zealand. He is a cultural historian and his research focuses specifically on the relationship between history and film, cinema as both a mirror and creator of social trends and the political uses of cinema to create national and political identities. In addition to a number of articles and essays, he is author of Film and the Shoah in France and Italy (Vallentine Mitchell, 2008).
Bibliographische Angaben
- Autor: G. Lichtner
- 2013, 1st ed., 262 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Macmillan Education
- ISBN-10: 1349348856
- ISBN-13: 9781349348855
Sprache:
Englisch
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