From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity
(Sprache: Englisch)
Negotiating identity in hip-hop culture
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Klappentext zu „From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity “
Negotiating identity in hip-hop culture
Inhaltsverzeichnis zu „From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity “
Acknowledgements; Introduction ONE: Shadow and Act: Minstrelsy and the Absent Black Presence; TWO: The Fire This Time: Black Masculinity in Contemporary Performance; THREE: Affective Gestures: Hip-Hop Aesthetics and the Body in Performance; FOUR: Real Niggas: Black Men, Hard Men and the Rise of Gangsta Culture; FIVE: Race Rebels: Whiteness and the New Masculine Desire Epilogue; References; Notes; Appendix
Autoren-Porträt von Miles White
Formerly a professional musician and entertainment journalist, Miles White teaches at City University of Seattle in Bratislava, Slovakia.
Bibliographische Angaben
- Autor: Miles White
- 2011, 163 Seiten, Maße: 15,2 x 22,6 cm, Kartoniert (TB), Englisch
- Verlag: UNIV OF ILLINOIS PR
- ISBN-10: 0252078322
- ISBN-13: 9780252078323
Sprache:
Englisch
Rezension zu „From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity “
"Unique in both approach and scope, this work adds a scholarly perspective to the popular literature that examines issues of black masculinity and hardcore hip-hop as performed by black and white rappers. An example of excellent scholarship that sets new standards for writing on this topic." Portia K. Maultsby, co-editor of African American Music: An Introduction
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