Global Entertainment Media
(Sprache: Englisch)
A critical cultural materialist introduction to the study of global entertainment media.
In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global...
In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global...
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A critical cultural materialist introduction to the study of global entertainment media.In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television, with an eye to critical political economy and cultural studies. Among other topics, Mirrlees examines:
Paradigms of global entertainment media such as cultural imperialism and cultural globalization
The workings of the culture/creative industries and the global political economy of entertainment media
State and interstate media policies and regulations that govern the production and consumption of entertainment, enabling and limiting crossborder entertainment flows
The production of entertainment by media capitals within a new international division of cultural labor (NICL)
Textual features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media
Crosscultural reception of entertainment by viewers
This book provides a conceptually rich, comprehensive, uptodate survey of the globalization of entertainment media and the leading critical scholarship surrounding it.
Inhaltsverzeichnis zu „Global Entertainment Media “
Introduction: Globalization and Global Entertainment. 1. Paradigms in Global Entertainment Media Studies. 2. Capitalizing on Global Entertainment Media. 3. Governing Global Entertainment Media: The State, Media Policy and Regulation. 4. Producing Entertainment in the New International Division of Cultural Labour (NICL). 5. Designing Global Entertainment Media: Blockbuster Films, TV Formats and Lifestyle Brands. 6. Global Entertainment Media, Local Audiences. Conclusion: Global Media Studies Between Cultural Imperialism and Cultural Globalization
Autoren-Porträt von Tanner Mirrlees
Tanner Mirrlees is an Assistant Professor in the Communication Program at the University of Ontario Institute of Technology (UOIT).
Bibliographische Angaben
- Autor: Tanner Mirrlees
- 320 Seiten, Maße: 17,7 x 25,3 cm, Kartoniert (TB), Englisch
- Verlag: Routledge
- ISBN-10: 0415519829
- ISBN-13: 9780415519823
- Erscheinungsdatum: 16.04.2013
Sprache:
Englisch
Rezension zu „Global Entertainment Media “
"Mirrlees explains in clear and lively language how the most popular and ubiquitous movies, TV formats, and brands are made and consumed-and he also explains why this matters. In a world where media continue to increase their hold on resources and their place in our lives, Global Entertainment Media is a must-read for media activists and students of culture." -John McCullough, Associate Professor and Chair, Department of Film, York University "Comprehensive and tactically plain-spoken, Dr. Mirrlees's cultural-economic study maps out the complex networks of production, consumption, and regulation that structure today's culture industry, and offers a key for unlocking its meanings and functions in a neoliberal age dominated by neo-imperial corporations. In the process, this teachable text provides a primer-ideal for undergraduates-on key 'macro' concepts in media and cultural studies, like discourse, globalization, intellectual property, and postcolonialism." -Mark A. McCutcheon, Assistant Professor of Literary Studies, Athabasca University "Mirrlees presents a meticulously well researched, original, and insightful overview of an expansive field. Global Entertainment Media surveys a complex and ever-changing global media landscape, navigating the terrain with great clarity and authority. Mirrlees's methodological approach, his deft theoretical analysis, and his wide-ranging and up-to-date use of examples and case studies make this a foundational work that brings global media studies scholarship firmly into the twenty-first century." -Ian Reilly, Assistant Professor, Department of Communication Studies, Concordia University
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