Henrik Ibsen and the Birth of Modernism

An Ibsen Chronology; Introduction; PART I: IBSEN'S PLACE IN HISTORY; 1. Ibsen and the Ideology of Modernism; 2. Postcolonial Norway? Ibsen's Cultural Resources; 3. Rethinking Literary History: Idealism, Realism, and the Birth of Modernism; 4. Ibsen's Visual World: Spectacles, Painting, Theater; PART II: IBSEN'S MODERN BREAKTHROUGH; 5. The Idealist Straitjacket: Ibsen's Early Aesthetics; 6. Becoming Modern: Modernity and Theater in Emperor and Galilean; PART III: IBSEN'S MODERNISM: LOVE IN AN AGE OF SKEPTICISM; 7. 'First and Foremost a Human Being': Idealism, Theater, and Gender in A Doll's House; 8. Losing Touch with the Everyday: Love and Language in The Wild Duck; 9. Losing Faith in Language: Fantasies of Perfect Communication in Rosmersholm; 10. The Art of Transformation: Art, Marriage, and Freedom in The Lady From the Sea; Epilogue: Idealism and the 'Bad' Everyday; Appendix 1: Synopsis of Emperor and Galilean; Appendix 2: Translating Ibsen

...an illuminating rer-valuation of the influence of aesthetic idealism, a welcome discussion about the need to take back real language in literary criticism, a veritable handbook of imaginative approaches to take to the culture clash of the nineteenth century, a sometimes fruitful, often frustrating, even troubling read for those who have been engaged with Ibsen for a long time... Mary Kay Norseng MLR The best literary criticism makes us see authors and literary works in a new light and inspires us with a desire to reread them. This is the critical alchemy that Toril Moi achieves with her accessibly written yet genuinely scholarly book Henrik Ibsen and the Birth of Modernism. A sustained study of a single major author, the book also has global sweep and interdisciplinary breadth. Moi situates Ibsen and Norway within the European republic of letters, overturns the conventional reading of Ibsen as a realist predecessor of modern theater, and produces a compelling answer to the perennial question, "What is modernism?" By reframing Ibsen as a modernist, Moi gives fresh meaning to Ibsens work across disciplines and to his influential engagement with modern visual culture. MLA Prize Committee A magisterial book. Martin Puchner, London Review of Books Moi has written a subtle and brilliant analysis of the plays - both poetic and realist - but she has done much more than that. She has redrawn the parameters of the distinction between realist and 'modern', in a surprising and exciting way...There are all sorts of good things in this book...It alters our idea both of Ibsen and of the world of ideas he worked in. AS Byatt, Guardian This is an indispensable book, as illuminating of the painting and literature of the times as of Ibsen himself. Paul Binding, Spectator A subtle and brilliant analysis... surprising and exciting... It alters both our idea of Ibsen and of the world of ideas he worked in. A. S. Byatt, Guardian Review Mook of the Week Moi is full of rare insights into