Henry James on Stage and Screen
(Sprache: Englisch)
In the 1890s, when Henry James tried to achieve fame and financial security by turning to the theatre, he was unceremoniously booed off the stage. Since the 1940s and 50s his fiction has nevertheless been consistently interpreted by composers and film...
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In the 1890s, when Henry James tried to achieve fame and financial security by turning to the theatre, he was unceremoniously booed off the stage. Since the 1940s and 50s his fiction has nevertheless been consistently interpreted by composers and film directors, culminating in the recent film adaptations of his novels by Merchant-Ivory, Jane Campion and Iain Softley. Henry James on the Stage and Screen traces this historical development.
Inhaltsverzeichnis zu „Henry James on Stage and Screen “
Introduction Henry James on Stage: 'That Sole Intensity which the Theatre can Produce'; S.M.Novick 'The Master's Voice: Henry James and Opera; M.Halliwell Henry James: Varieties of Cinematic Experience; P.Horne The End of Embroidery: From Washington Square to The Heiress ; P.Swaab Ceremonies of Innocence: Men, Boys and Women in The Turn of the Screw ; M.Deustch Frank and Jim Go Boating: Henry James and the French New Wave; D.V.Leer Black and White and Shades of Grey: Ambiguity in The Innocents; V.Wilson Enduring Ephemera: James Cellan Jones, Henry James and the BBC; N.Berry Framing the 'Sketch': Bogdanovich's D aisy Miller; D.Cross Marriage, Influence and Deception: Merchant-Ivory's The Europeans and The Bostonians; E.Brake 'Exquisite Taste': The Recent Henry James Films as Middlebrow Culture; M.Eaton The Consciousness on the Cutting Room Floor: Jane Campion's The Portrait of a Lady; M.Anesko For Mature Viewers: Sexuality and Gender in Recent Film Adaptations of Henry James's Fiction; J.C.Rowe How To Do Things To Words: Making Language Immaterial in The Wings of the Dove ; M.Ian Portraits of Lady Chatterley: Jamesean Dilemmas, Lawrencian Eros and the Triumph of Cinematic Adaptation in The Wings of the Dove; R.A.Kaye Index
Autoren-Porträt
MICHAEL ANESKO Lecturer in English and American Studies, Pennsylvania State UniversityNEIL BERRY WriterELIZABETH BRAKE Lecturer, Department of Philosophy, Auburn University, AlabamaDAVID CROSS Lecturer in English Literature, University College LondonMICHELLE DEUTSCH Manager of Technology Projects, London Office of a United States Investment BankMARK EATON Assistant Professor of English, Oklahoma City UniversityMICHAEL HALLIWELL Director of Creative Work and Research, Sydney University Conservatorium of MusicPHILIP HORNE Reader in English, University College LondonMARICA IAN Associate Professor of Modern British and American Literature, Rutgers UniversityRICHARD A. KAYE Assistant Professor of English, Davidson College, North CarolinaDAVID VAN LEER Professor of English, University of CaliforniaSHELDON M. NOVICK Scholar in Residence, Vermont Law SchoolPETER SWAAB Lecturer in English, University College LondonJOHN CARLOS ROWE Lecturer in Cultures of the United States and Critical Theory, University of CaliforniaVAL WILSON Lecturer in English, International House London
Bibliographische Angaben
- 2000, 1st ed., 264 Seiten, Maße: 23,5 cm, Kartoniert (TB), Englisch
- Herausgegeben von Bradley, John
- Verlag: Palgrave Macmillan
- ISBN-10: 1349658189
- ISBN-13: 9781349658183
Sprache:
Englisch
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