How to Get Filthy Rich in Rising Asia

Mohsin Hamid, geb. 1971, wuchs in Lahore, Pakistan, auf, studierte Jura in Princeton und Harvard und arbeitete in New York. Hamid schreibt u.a. für Time, Guardian und New York Times. Er lebt in London.

"This brilliantly structured, deeply felt book is written with the confidence and bravura of a man born to write. Hamid is at the peak of his considerable powers here, and delivers a tightly paced, preternaturally wise book about a thoroughly likable, thoroughly troubled striver in the messiest, most chaotic ring of the global economy. Completely unforgettable." -Dave Eggers, author of "A Hologram for the King" "Written in the most compelling second person since Jay McInerney's "Bright Lights, Big City," with which it also shares a sharp take on our frenetic, urban lives, Hamid's novel proves that the most compelling fiction today is coming from South Asia." -"The Daily Beast" "Hamid's choice to write a bildungsroman wrapped inside a self-help manual is an inspired one... Hamid has left us with no doubts about how state and market, law and crime, nation and corporation, and money and violence go together--in rising Asia as in the rest of the world." -"Bookforum" "An astonishing and riveting tale of a man's journey from impoverished rural boy to corporate tycoon." -"The Nation" "A joyously barbed satire on entrepreneurialism and the juggernaut of globalisation... Will be one of the standout novels of the year." -"The Guardian" "Mohsin Hamid is one of the best writers in the world, period. Only a master could have written this propulsive tale of a striver living on the knife's edge, a noir Horatio Alger story for our frenetic, violent times. The road to filthy riches is nasty, brutish, and long, yet Hamid's talent is such that we see the humanity in all this striving--indeed, on finishing this extraordinary book, one wonders if the striving might be the sincerest expression of our flawed, fragile humanity." -Ben Fountain, author of "Billy Lynn's Long Halftime Walk" "A dazzling stylistic tour de force; a love story disguised as a self-help guide, freighted with sly social satire. As timely and timeless a novel as