Imaging Religion in Film
The Politics of Nostalgia
(Sprache: Englisch)
This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films:...
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This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .
Inhaltsverzeichnis zu „Imaging Religion in Film “
Introduction: Interpreting Religion and Film PART I: FILM STUDY Akira Kurosawa: 'What is a Thing?': Posing the Religious in Dersu Uzala (1975) Kiarostami: The Face of Modernity Alienation and Transcendence in Taste of Cherry (1997) Joel and Ethan Coen: Searching for a Way Out Alienation and Intimacy in The Man Who Wasn't There (2001) PART II: THEORETICAL REFLECTIONS Religious Realism
Autoren-Porträt von M. Gail Hamner
GAIL HAMNER Associate Professor in the Department of Religion at Syracuse University, USA.
Bibliographische Angaben
- Autor: M. Gail Hamner
- 2011, 1st ed., 193 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349342408
- ISBN-13: 9781349342402
Sprache:
Englisch
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