Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh
(Sprache: Englisch)
Offers a major reevaluation of one of art history's popular and important art movements. This book demonstrates not only that the industrial and demographic revolutions of the nineteenth century had an impact on art, but also that impressionism was the...
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Produktinformationen zu „Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh “
Offers a major reevaluation of one of art history's popular and important art movements. This book demonstrates not only that the industrial and demographic revolutions of the nineteenth century had an impact on art, but also that impressionism was the first art historical movement to embrace such changes.
Inhaltsverzeichnis zu „Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh “
PREFACE AND ACKNOWLEDGMENTS INTRODUCTION: IMPRESSIONISM'S OTHER LANDSCAPE 1. Renovation and Modern Viewpoints: Roads, Bridges, and City Spaces 2. Art and Technology: Impressionism and Photography 3. Industrial Waterways: Ports, Rivers, and Canals 4. Railways and Stations: Trains and Tracks 5. Factories and Work Sites: City and Country 6. Revival and Renewal in the Next Generation 7. Political Frames and Aspirations: Realism to Utopia 8. Performing Representation: Modernism and Modernity LIST OF ABBREVIATIONS NOTES LIST OF ILLUSTRATIONS INDEX
Autoren-Porträt von James H. Rubin
James Rubin is Professor of Art History at Stony Brook, the State University of New York, and Adjunct Professor of Art History at the Cooper Union. He is the author of eight books, including Courbet, Impressionism, and Impressionist Cats and Dogs: Pets in the Painting of Modern Life.
Bibliographische Angaben
- Autor: James H. Rubin
- 2008, 239 Seiten, Maße: 21,1 x 26,3 cm, Gebunden, Englisch
- Verlag: UNIV OF CALIFORNIA PR
- ISBN-10: 0520248015
- ISBN-13: 9780520248014
Sprache:
Englisch
Rezension zu „Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh “
"James Rubin contends, contrary to the arguments of leading theorists of impressionist painting, that the painters' scenes of leisure and productivity should be read in tandem, for together they signify the impressionists' commitment to progressive modernism." -Dianne Sachko Macleod, author of Art and the Victorian Middle Class: Money and the Making of Cultural Identity
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