Individuality and Expression
The Aesthetics of the New German Dance, 1908-1936
(Sprache: Englisch)
While much has been written about the visual artists and playwrights of early twentieth-century Germany - Nolde, Kandinsky, Kokoschka and others - their equally innovative contemporaries in dance have not been studied so extensively. The development of the...
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While much has been written about the visual artists and playwrights of early twentieth-century Germany - Nolde, Kandinsky, Kokoschka and others - their equally innovative contemporaries in dance have not been studied so extensively. The development of the New Dance, also called Ausdruckstanz , paralleled that of expressionist art and drama. This study focuses on nine choreographers whose theories, work, aesthetic values and artistic intent convey the variations and commonalities of this dance form. They are Mary Wigman, Gret Palucca, Harald Kreutzberg, Yvonne Georgi, Vera Skoronel, Berthe Trümpy, Niddy Impekoven, Grete Wiesenthal, and Valeska Gert.
Autoren-Porträt von Dianne S. Howe
The Author: Dianne S. Howe is an assistant professor of Dance at the University of California, Irvine. She received her Ph.D. from the University of Wisconsin-Madison. In addition to her articles which have appeared in American and German professional journals, she has written essays for anthologies on aesthetics and modern German dance.
Bibliographische Angaben
- Autor: Dianne S. Howe
- 2001, Neuausg., XII, 312 Seiten, Maße: 15,1 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Peter Lang
- ISBN-10: 0820455962
- ISBN-13: 9780820455969
- Erscheinungsdatum: 16.03.2001
Sprache:
Englisch
Pressezitat
"Writing in a clear, concise style, Howe gives serious scholars an invaluable understanding of the new dance and rich insights on the work and lives of each of the dancers." (C.W. Sherman, Choice)Kommentar zu "Individuality and Expression"
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